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Manor House

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6
Winners and Losers
2002-05-28
The latter-day Edwardians prepare to leave the past behind them.

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5
Days of Empire
2002-05-21
In episode five, events are being organized at Manderston to celebrate the British Empire's colonial prowess and success.

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4
Tough Love
2002-05-14
Sir John decides to host a weekend shooting party.

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3
The Servants Revolt
2002-05-07
In this episode, the staff crisis comes to a head.

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2
Making the Grade
2002-04-30
In episode two, the Olliff-Coopers are upstairs settling into a lifestyle of wealth and privilege, making plans for their first dinner party according to complicated protocols covering everything from the seating arrangement to the wines.

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1
Upstairs Downstairs
2002-04-23
The series begins downstairs at Manderston, a 109-room Edwardian mansion in Scotland, where Hugh Edgar, architect cum butler, and Jean Davies, grandmother cum housekeeper, organize the junior staff.

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Manor House is a fascinating, immersive exploration into an era that feels both charmingly antiquated and remarkably relevant. This captivating British reality series aired by PBS in 2002 sends us back to the early 20th century aristocratic life, specifically the Edwardian era, a time marked by ostentatious wealth, strict social hierarchies, abundant servant labor, and clear disparities in living conditions.

In this six-part unscripted documentary-drama, 21st century men, women, and children take a journey of historical reenactment, agreeing to live under the social norms and routines of the early 1900s over a three-month stretch. This experiment is set on the grand estate of Manderston in Scotland, which stands as the epitome of extravagant Edwardian architecture. The estate portrays the reality of early 20th century life, providing a starkly realistic context for this unique endeavor.

The show is often referred to as a time-traveling social experiment, placing modern-day people in an intensely historical context and observing reactions, adaptations, and transformations. The participants are divided into the upstairs and the downstairs – the family and the servants – each bound by the rigid societal rules that governed these classes over a hundred years ago. The social structure is maintained meticulously, illustrating the stark contrast between the servants' lives of toil and subservience and the aristocrats' lives of leisure and privileges.

For the participants assigned to the Family, they luxuriate in the grandeur of the Manor House, indulging in lavish dinners, opulent parties, and refined leisure activities. Yet they also grapple with the peculiarities of Edwardian etiquette, unwieldy clothing and the odd boredom that comes with excessive leisure.

Meanwhile, those assigned roles as Servants are confronted with the harsh realities of the laboring class during this era. Rigorous duties, long hours, little free time, uncomfortable living conditions, and a paucity of privacy become their daily norm. Tasks that the 21st century individual would find mundane or easily accomplished with modern appliances become grueling chores in the light of the Edwardian setting, from cleaning to cooking, everything is labor-intensive.

Manor House also focuses on how the experience changes each participant, with the role-play often challenging their 21st-century sensibilities. Its intention isn't merely to document the vast chasm separating the two classes but also present a human drama of adaptation, patience, and historical understanding. It’s a learning experience for both the participants and the audience, offering educative insights into historical domestic life and societal structures, sharing what it really meant to be a part of this bygone era.

The series makes use of diary confessionals and interviews to convey the thoughts, feelings, and evolving perspectives of the participants. The producers also incorporated historical consultants for accuracy and authenticity, infusing educational and factual elements into the drama. Masterfully, they juxtapose the grandeur with the grit, weaving a tableau of life's extremes in the Edwardian age.

Manor House creates an intriguing experience, intertwining historical understanding and personal reflection throughout its narrative. The viewers join this fascinating journey of the "unseen history of Britain", exploring historical systems, cultural norms, and human interactions. The show veers from the realm of traditional documentaries, transporting viewers into the past while emphasizing the transformation of societal norms and refining our understanding of history.

As each episode unfolds, Manor House delves deeper into the trials and tribulations of recreating the Edwardian lifestyle. Unique role-playing, socio-historical commentary, and personal growth of cast members drive the narrative, providing an engaging, emotional, and, at times, challenging viewing experience. It makes you contemplate the relativity of comforts, the significance of advancements, and the power of empathetic understanding. The show serves as an engaging history lesson that resonates with viewers, revealing the nuances behind the grand facades of the Edwardian age and the unsung stories of those who toiled in the shadows. It’s not just about reliving the past, but also finding new respect for the present.

In summary, PBS's Manor House is a captivating portrayal of Edwardian society, effectively highlighting class distinctions, social realities, and lifestyle intricacies in a vivid, participatory manner. Through a combination of history, reality, and drama, it provides viewers with an immersive, educational, and thought-provoking experience. Whether you're a history buff, reality show lover, or someone who enjoys watching human experiences in exceptional situations, Manor House offers an entertaining and insightful viewing journey.

Manor House is a series categorized as a canceled. Spanning 1 seasons with a total of 6 episodes, the show debuted on 2002. The series has earned a mostly positive reviews from both critics and viewers. The IMDb score stands at 8.4.

Genres
Drama
Channel
PBS
Rating
8.4/10
Cast
Derek Jacobi, Ellen Beard, Ken Skelton
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