To Play the King

To Play the King is the thrilling sequel to the critically acclaimed BBC television series 'House of Cards', first aired in 1993. The plotting, scheming, and power play continues, with Ian Richardson reprising his role as the ingeniously manipulative and strategically ruthless Francis Urquhart, now the Prime Minister of the United Kingdom. The series is based upon Michael Dobbs' political novel of the same name, which is the second instalment in his 'House of Cards' trilogy. The screenplay is thoughtfully written by Andrew Davies, who successfully adapts the machinations of Westminster politics into a gripping and engaging plot.

In this sequel, the narrative pivots around the tense relationship and power struggle between Urquhart and a newly crowned, idealistic King played brilliantly by Michael Kitchen. The King, liberal and compassionate, is diametrically opposed to Urquhart — a stark conservative with a cold, calculated approach towards politics — creating a rift between Downing Street and the monarchy. The series spins an intricate web around these two characters and their contrasting ethos, resulting in a captivating chess match of political maneuvers.

Set amidst the political landscape of modern Britain, the series effectively portrays the clash between tradition and change, monarchy and democracy, and compassion and cunning. The storyline intricately explores the dynamics of power, the elasticity of political morality, and the sometimes-grey areas between personal and public life in the world of politics. It delves deep into what it means to ‘play the king’ — both in terms of dealing with the King and potentially becoming one.

Ian Richardson's stellar performance as the wily Francis Urquhart is at the core of this series. His portrayal is a class apart, making viewers simultaneously admire and detest his character. His soliloquies remain a trademark of his role, breaking the fourth wall in a gripping manner while sharing his secret plans and unhinged ambition for power with the audience. Michael Kitchen, on the other hand, plays the perfectly idealist King, adding a layer of complexity to the narrative with his nuanced performance. Their on-screen chemistry is magnetic, drawing the viewer into their mind games and power play.

Kitty Aldridge also plays a pivotal role as Sarah Harding, a media-savvy PR executive. Her performance adds a fresh perspective to the political drama, exposing the crucial role of news and media manipulation in politics. Diane Fletcher reprises her role as Elizabeth Urquhart, the PM's wife. Her subtle but potent performance beautifully portrays a wife's support system to her husband in his relentless pursuit of power.

The series keeps the viewers on the edge of their seats with unexpected plot twists and clever political strategy. The script is full of sharp dialogue and biting wit, making it a brilliant portrayal of political theater. The direction is top-notch, building tension through creative use of light, shadow, and camera angles, adding more gravitas to the already intense political drama.

Furthermore, the production values are superb, authentically recreating the political environment of Britain in the 1990s. From the elegantly crafted sets of Downing Street and Buckingham Palace to the dark, gloomy interiors mirroring the murky world of politics, every detail in the series is exquisitely designed.

To Play the King is not just a political drama, but a commentary on the British society of the time and a character study of power-hungry individuals. It resonates even today due to its timeless themes of power struggle, morality, and ambition. The series is a continuation of the hard-hitting political narrative started in 'House of Cards', carrying the intense drama, witty dialogue, and cunning plot forward. In the pantheon of great political drama series, 'To Play the King' certainly occupies a prominent position.