Let's Make Love

Set amid the glitter and glamour of mid-twentieth century New York City, "Let's Make Love" is a musical comedy romance film laced with charismatic performances, romantic intrigue, and a captivating storyline. The film, with a running time of 119 minutes, was released in 1960 and is directed by George Cukor, a prominent figure in the American film industry known for his work with actresses. At its heart, it's a tale of disguise, true love and spotlighting the timeless charm of the famed Marilyn Monroe.

The film stars Marilyn Monroe, the undisputed silver screen queen of the era whose mere presence ensures a riveting show. Her exceptional beauty paired with her renowned acting abilities makes her portrayal of Amanda Dell, an aspiring off-Broadway dancer and actress, enchanting and unforgettable. Yves Montand, an acclaimed French actor and singer, plays the role of the wealthy French billionaire Jean-Marc Clement with aplomb. The film also features the ever versatile Tony Randall, who, in this film, deploys his wit and charm as Alexander Coffman, the ever-dependable and resourceful public relations agent.

"Let's Make Love" begins by introducing us to the affluent ladies man, Jean-Marc Clement (Yves Montand). Clement is informed by his public relations man, Alexander Coffman (Tony Randall) that he's being satirized in an upcoming off-Broadway revue. Interested and intrigued by the prospect of seeing himself impersonated, Clement decides to see the show himself during a rehearsal. Here, he meets Amanda Dell (Marilyn Monroe) and is instantly smitten by her talent and beauty.

As the storyline progresses, instead of being offended, Clement finds the mockery amusing and, seeing an opportunity to get closer to Dell, he auditions for the part of himself and lands the role, all under an assumed identity. This fascinating disguise adds an interesting layer to the plot as he prepares to perform, singing and dancing in front of an audience who are unwittingly watching the true man behind the spoof.

Now, Clement has to navigate the dual life of a wealthy businessman and a novice actor secretly portraying himself. Between the whirl of rehearsals, props, costumes, song, and dance, Montand’s character has to deal with the complications of his attraction and growing feelings for Dell and the unveiling of his real identity. Meanwhile, Amanda remains oblivious to the fact that the man she is growing close to is not a struggling actor but a wealthy magnate she often fantasizes about.

As Dell, Monroe is at her magnetic best, pulling viewers into Amanda's world effortlessly. From her endearing innocence to her charismatic performances, Monroe lights up the screen every time she appears. Montand, as Clement, provides hearty doses of wit, charm, and comical nuance. His chemistry with Monroe is palpable, lending the film its very heart.

The film is graced with the music of Cole Porter and Lionel Newman which compliments the energetic dance routines choreographed by Jack Cole. The musical numbers including “My Heart Belongs to Daddy,” and the tile song, "Let's Make Love," set Marilyn Monroe’s sizzling screen presence against a lively and toe-tapping musical backdrop, and are highlights of the film.

"Let's Make Love" is filled with comedic moments, sweet sentimentality, and the alluring charm of its main leads. It presents an interesting narrative that captures the viewer’s attention while combining the elements of mistaken identity, romance, and theatre. Not just a rom-com or a musical, this film incorporates the appeal of both genres giving the audience light-hearted humor, high-energy performances, and a classic love story. All in all, "Let's Make Love" is a testament to its time—a classic piece of 1960s cinema boasting a star-studded cast, exquisite production, and an engaging premise with just enough unpredictable turns to keep the audience guessing. It's a glimpse into an era of Hollywood that was undoubtedly the golden age of musical comedies.