Out 1

Out 1, created in 1971, is an experimental film directed by Jacques Rivette, an influential figure in French New Wave cinema. It's a rare brand of cinematic experience that transcends the conventional boundaries of filmography, bringing a unique and immersive narrative to the screen. Considered among one of the world's longest films, spanning over 12 hours, Out 1 breaks away from the traditional mould of cinema, illuminating Rivette's imaginative genius.

For those particularly drawn to the avant-garde and innovative approaches of New Wave cinema, the film blurs the line between reality and fiction. The intricacy of the plot, profound characters and Rivette's visionary directorial approach invites viewers to undergo a unique narrative experience. The film is not merely a passive viewing activity, rather it demands an active engagement from the audience.

The plot unravels like a mystifying puzzle, weaving diverse threads that include ambition, artistry, conspiracy, deception, and human connections. Out 1 delves deep into post-1968 Parisian society, reflecting the underlying political unrest and cultural fabric during this tumultuous time. This provides a gritty and fascinating backdrop to the characters' pursuits and interactions.

The narrative revolves around two theatre troupes preparing for their upcoming performances. Their work serves as an exploration of artistic creativity as well as a device of group therapy. Parallel to this, two drifters - Colin and Frédérique - embark on their separate paths. Colin pesters strangers for financial help using an elaborate hoax involving a deaf-mute act, whereas Frédérique sees herself as a kind of anarchist, surviving by her wits and cunning, engaging in petty cons.

The artistic performances of the theatre troupes are based on the works of two ponderous playwrights, Aeschylus and Lewis Carroll, whose themes resonate throughout the film and act as guiding light to the greater puzzle. As their rehearsal progresses, friendships evolve, tensions build, relationships fall apart and the boundaries between life, art, and role-play blur confusingly. On the other hand, Colin and Frédérique become inadvertently entangled in a Cold-War era conspiracy involving secret societies, political paranoia and mysterious correspondence.

Out 1's exceptional length allows Rivette to explore the depth and nuances of the characters, the atmosphere and the narrative in detail. However, it is also structured in a way to offer viewers considerable flexibility in viewing, allowing one to pause, reflect, or breakdown the scenes at their own pace. This reflects Rivette's innovative approach to cinema as an interactive art form.

Rivette excels in enhancing his narrative with atmospheric tension, and the cinematography plays a crucial role in Out 1. Using a hand-held camera, Claude Clément’s photography offers raw, grainy and intimate visuals. These visuals capture the enigmatic spirit of Paris in the early 70s and the close-ups and long shots frame the actors in a way that intensifies the development of the character and story arc.

The influential ensemble cast, including Jean-Pierre Léaud, Juliet Berto, Michèle Moretti, and Michael Lonsdale, come together to deliver unforgettable performances, encapsulating the spirit of French New Wave by presenting an absorbing and realistic portrayal of their characters. Their deftness in improvising and handling complex characters lends a sporadic, whimsical, yet highly poignant touch to the narrative.

Immersed in avant-garde filmmaking, Out 1 is more than a film—it’s a paradigm of Rivette's storytelling prowess. It's a commentary on society, a layered exploration of human connections and aspirations, a tribute to theater, and a daringly philosophical and political narrative that steers clear of traditional cinematic tropes. However, it provides an intellectually engaging viewing experience, appealing primarily to a niche audience that regards cinema as an art form.

Out 1 symbolizes the very essence of New Wave cinema and stands out as a monument in Rivette's oeuvre. Marveling at its originality and artistry, it is a testament to the principle that cinema is a boundless medium, capable of challenging, provoking, and unveiling profound truths. If Out 1 is a labyrinth, it's a labyrinth with a purpose, inviting viewers inside to experience and explore, and perhaps emerge with a new appreciation, not just for Rivette’s work, but for innovative cinema as a whole.