Died Young, Stayed Pretty

Died Young, Stayed Pretty is a 2008 compelling and illuminating documentary that gives viewers an in-depth look into the enigmatic and underground world of indie-rock poster making. Award-winning Canadian documentarian Eileen Yaghoobian takes us on a fascinating journey through this uncharted territory. Examined through the lenses of key artists such as The Ames Brothers, Art Chantry, and Brian Chippendale, the film is a metaphorical blow to the senses, blending the lines between design, pop culture, and artistic expression.

The film, while concentrating primarily on the United States and Canada, also sheds light on this intriguing phenomenon on an international level. We are introduced to a plethora of talented, albeit often eccentric, artists who continue to push the boundaries of art, graphic design, and popular culture.

In the 90's Rochester, Washington-based Ames Brothers became known for their distinctive album cover designs and poster artwork for bands like Pearl Jam. In Died Young, Stayed Pretty, they share insightful revelations about the industry, its evolution, and the creative liberties they've taken within the indie-rock poster scene.

Art Chantry, a legendary name in graphic design, especially famous for his work with the music industry (most notably with bands like Nirvana and Soundgarden), also speaks his mind about commercialism, artistic expression, and the relevance and impact of the posters. His view is especially compelling, considering his influence on modern style and aesthetics within the music industry.

Brian Chippendale, drummer and vocalist of Lightning Bolt, an experimental noise rock band, and a well-respected artist himself, brings the perspective of being both the visual creator and part of the subject, bridging the gap between the visual and the audio.

Died Young, Stayed Pretty is not a film that merely scratches the surface; it delves deep into the social commentary often hidden behind the flamboyant colors and grimacing skulls that are so emblematic of the indie-rock poster style. While some viewers may see these as merely promotional tools, the ornate designs and evocative symbols employed by these artists tell a tale of rebellion, anarchy, and a refusal to be defined by traditional norms.

Through candid interviews, behind-the-scenes footage, and a myriad of eye-catching poster designs, Yaghoobian provides an intimate portrait of these artists’ devotion to their craft. These artists have remained firmly embedded in the underground culture, often creating art more for personal expression or to please an exclusive fanbase rather than for fiscal gain or widespread popularity.

The documentary goes beyond the creative process and gives insight into the artists' life, their struggles, and how their art becomes an extension of their persona. With a sprawling, punk-infused soundscape – the film is a distinctive portrayal of a subculture where the ethos of rock and roll meets the aesthetics of art.

Delivered with great care, Died Young, Stayed Pretty will resonate with artists, graphic designers specifically, music enthusiasts, and fans of gritty screen-printed images alike. The film heralds the enduring relevance of the indie-rock poster as a form of public communication, a symbol of youth culture rebellion, and unquestionably, a medium of art. Palpable within the film lies a profound respect for the artists who continue to support and carry forward this underground art form, despite an increasingly digitized society.

In essence, Died Young, Stayed Pretty is a celebration of creativity in its purest form – raw, unashamed, and unapologetically brash. An artistic endeavor in itself, it serves as a tribute to those who continue to passionately create and push boundaries, offering a visual and narrative feast that's equally as compelling as the artwork it showcases.