It Kinda Scares Me

It Kinda Scares Me is a riveting docu-drama released in 2001, directed by the esteemed Israeli filmmaker Tomer Heymann and starring Idan Alterman and Aviv Geffen. The movie captures a bold representation of self-discovery, prevailing societal stereotypes, and the exploration of masculinity within the context of society and sexuality. The film has high stakes juxtaposed with moments of pure human vulnerability, offering an intense, heartfelt portrayal that is as touching as it is edifying.

The movie follows the life of Tomer, a young man who doubles as a film director and drama teacher for a group of rebellious teenagers. Idan Alterman’s unfiltered portrayal of Tomer gives an insight into his complexities and anxieties embedded within his struggle to express his identity openly. On the other hand, Aviv Geffen, who portrays one of the teenagers in the troupe, delivers a commendable performance, embodying the raw energy, rebellion, and confusion inherent to adolescence perfectly.

Tomer, who is struggling to come to terms with his homosexuality, uses his platform as a drama teacher to impart his distinct ideologies to his group of students whom he influences heavily. However, these young men are hardened by their tough exterior, embodying the upright, hasty definition of masculinity expected by Israeli society. They are initially skeptical and resistant to his teachings, which propose a more nuanced representation of manliness that includes sensitivity, vulnerability, and willingness to express emotions.

The drama troupe’s main project, constructing a play, becomes a metaphorical means for the students and Tomer to resolve their personal struggles. Through their collective effort, they grapple with the theme of self-discovery, stepping on the thin line between vulnerability and societal expectation. The play, initially proposed as a horror story about a clown who takes on the persona of a ruthless killer, evolves under Tomer's influence to delve into the depth of these young men's fears, dreams, and personalities.

The movie skillfully uses the backdrop of the Israeli society, which is heavily embedded with predefined notions about masculine identity and traditional societal roles. The time frame, the millennial turn of the century, plays a significant role in reflecting the transitional period in Israel’s societal evolution. The country’s apprehensive steps towards a more sophisticated representation of masculinity offers an attentive audience an invaluable insight into the cultural dynamics at play during this period.

The camera work utilized throughout the movie brilliantly illustrates the interplays between fear and courage, adding depth to the characters and their individual narratives. The captivating cinematography, combined with a gritty, heartfelt screenplay, makes it an engaging drama that viewers can identify with, regardless of their cultural context or personal experiences. From documenting light-hearted moments of camaraderie to the cathartic expression of pent-up emotions, the film captures a wide range of human experiences that reinforce the power of art and communication.

In It Kinda Scares Me, Heymann isn’t afraid to dive deeper into the world of looming adulthood, distorted self-images, societal pressure, and the quest for self-definition among these young men. The result is a movie that challenges the audience, through subtle narrative devices and nuanced storytelling, to question the status quo, especially when it comes to understanding the essence of masculinity and sexuality in a changing society.

Overall, It Kinda Scares Me is an emotionally charged, thought-provoking film with a tonality that reverberates long after the curtains are drawn. With an authentic showcase of audacious storytelling, the movie not only explores the harmonic collision of personal emotions and societal expectations but also enlightens viewers about resilience, acceptance, and the power of self-discovery. To sum it up, the film is a must-watch for those and interested in contemplating deep, challenging topics within a societal framework and appreciating the beauty of unsaid emotions and unexpressed struggles embodied in cinematic narratives.