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Dragnet

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39
The Big Red
1959-08-23
In the series finale, Friday and Smith once again investigate a series of robberies.

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38
The Big Counterfeit
1959-08-16
Friday and Smith set out to stop a phony police officer who's asking for donations from his victims for the police widows and orphans fund.

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37
The Big .38
1959-08-09
Cabbies are the victims of a series of robberies but their descriptions of the suspects don't match.

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36
The Big Operator
1959-08-02
Cab drivers are being held up, but the descriptions given by the victims don't match.

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35
The Big Appetite
1959-07-26
Friday and Smith track a burglar who breaks into homes and businesses to steal gourmet food items.

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34
The Big Infant
1959-07-19
Friday and Smith's investigation of a stolen car - containing a sleeping baby - leads them to two juvenile suspects.

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33
The Big Byron
1959-07-12
Friday and Smith investigate whether or not someone attempted to kill a man.

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32
The Big Bray
1959-07-07
Friday and Smith investigate a the death of a woman found beaten in her car, and suspect that her husband is somehow involved.

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31
The Big Carnation
1959-04-28
Friday and Smith hunt "The Carnation Kid," a suspect in a series of hotel burglaries.

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30
The Big Picture
1959-04-21
A young girl commits suicide after she's tricked into prostitution by procurers posing as talent agents.

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29
The Big Squeeze
1959-04-14
A blackmail victim refuses to pay his blackmailer so he's beaten and robbed.

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28
The Big Couple
1959-04-07
Friday and Smith go after husband and wife con artists.

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27
The Big Name
1959-03-31
The only clue to a murder investigated by Friday is the tape on a knife handle.

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26
The Big Holdup
1959-03-24
Friday and Smith go after a robber nicknamed the Rattlesnake Bandit.

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25
The Big Starlet
1959-03-17
Friday investigates a young starlet under suspicion of check forgery.

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24
The Big Thirteen
1959-03-10
An elderly couple are beaten and robbed. The key to finding the bandits lies in a paper boy and an alert bartender.

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23
The Big Roll
1959-02-24
An elderly man reports a loss of money to the LAPD, then subsequently denies making the report. Friday and Smith must investigate.

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22
The Big Sour
1959-02-17
A paper boy and a bartender are the keys to finding the suspects who beat and robbed an elderly couple.

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21
The Big Mailman
1959-02-10
Friday and a postal inspector try to nab a gang using the mail to scam their victims.

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20
The Big Accident
1959-02-03
An insurance adjuster files a report with Friday about fraudulent insurance claims.

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19
The Big Signet
1959-01-27
Friday and Smith are after a man selling forged passports.

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18
The Big Doctor
1959-01-20
A doctor making fraudulent insurance claims is the latest quarry of Friday and Smith.

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17
The Big Smart Girl
1959-01-13
Friday and Smith investigate a series of robberies in fashionable homes.

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16
The Big Malcolm
1959-01-06
Friday and Smith investigate a criminal gang that preys on all-night restaurants.

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15
The Big Donation
1958-12-30
On bunco detail again, Friday and Smith go after con artists selling phony magazine subscriptions.

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14
The Big Maria
1958-12-23
Friday and Smith investigate the death of a woman found murdered in a churchyard on Christmas Eve.

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13
The Big Hype
1958-12-16
Friday attempts to track down a heroin pusher.

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12
The Big Green Monkey
1958-12-09
Friday and Smith try to retrieve a woman's stolen jade collection.

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11
The Big Hot Rod
1958-12-02
A gang of teens are swiping expensive sports cars.

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10
The Big Nazi
1958-11-25
Friday is assigned to undercover detail in order to nab a murderous neo-Nazi.

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9
The Big Border
1958-11-18
Friday and Smith pursue two escaped convicts across the Mexican border.

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8
The Big Doll
1958-11-11
As Friday and Smith investigate a woman's death, they are disturbed to find that her daughter is more interested in discussing her collection of dolls.

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7
The Big Jukebox
1958-11-04
Friday goes undercover as a bar owner to smash an illegal jukebox racket.

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6
The Big Voice
1958-10-28
Friday and Smith are after a gang of hoods in this episode.

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5
The Big Little Boy
1958-10-21
It's a missing persons case for Friday and Smith who search for a child.

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4
The Big Oskar
1958-10-14
A man steals worthless objects from a woman and gets Friday and Smith on his trail.

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3
The Big Star
1958-10-07
Another day, another robbery case for Friday and Smith.

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2
The Big Sweet Annie
1958-09-30
Friday and Smith go after a seemingly mild and innocent con woman known as Sweet Annie.

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1
The Big Beating
1958-09-23
Friday and Smith investigate a report of a man physically abusing his wife.

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Dragnet was a highly successful and influential American police procedural drama series that aired on NBC between 1951 and 1959. The groundbreaking show was a dramatic portrayal of actual crime cases, using a stark, gritty, and unembellished narrative style that garnered a large following and left a lasting impact on police-themed TV shows therein. Taking cues from real-life police files, the show made the ordinary aspects of police work engrossing, honing in on the simple, methodical steps taken by detectives to solve crimes.

The series was created and produced by its star, Jack Webb, who brought a unique style of underplayed realism to television. Webb starred as Sergeant Joe Friday, a stoic and dedicated detective of the Los Angeles Police Department (LAPD), who has since become an iconic character in American television history. A host of other characters, played by various actors, were introduced throughout the series to support the tales of crime-solving, community service, and dedicated police work. Friday’s partners, most notably Officer Frank Smith, played by Ben Alexander, offered chemistry and contrast to Friday's earnest characteristics, showcasing camaraderie and occasional light moments within the serious context of the show.

Each episode of Dragnet followed a distinct pattern, beginning with the statement, "The story you are about to hear is true. Only the names have been changed to protect the innocent," further reinforcing the 'documentary' approach of the series. Episodes usually started with a brief preview of the crime, followed by an introduction of the protagonist, and finally the methodical process of investigation leading to the conclusion. The narrative style was straightforward and direct, applying equal emphasis on all stages of the police work - from gathering initial information, interviewing suspects, analyzing evidence, to the eventual arrest and trial.

Besides its structural facets, Dragnet was notable for its focus on factuality and accurate representation. The program was made with the full cooperation of the LAPD, granting the crew access to departmental files and procedures, lending an air of authenticity that was hitherto unseen in other police drama series. Moreover, the portrayal of LAPD officers and their interactions with the community worked towards humanizing the image of the police force, showcasing them as dedicated public servants rather than just crime-fighting heroes.

The show also had a unique approach to the use of sound, with a distinctive four-note opening theme, composed by Walter Schumann, that became synonymous with Dragnet. The minimalist musical score and sound effects, like the realistic sounds of footsteps, doors, and telephones ringing, added a layer of detail to the overall experience of the show.

Another significant aspect of Dragnet was its reliance on dialogue to move the narrative forward. The exchanges were often characterized by everyday language and the procedural jargon of the police, which, though minimalistic in nature, created a compelling and realistic atmosphere. This innovative approach to storytelling highlighted the drama inherent in the routine investigation and was also reflective of Webb's commitment to portraying police work without unnecessary sensationalism.

While it was based primarily around crime investigation, Dragnet explored diverse aspects of policing as well, including community relations, police administration, and other societal issues at the time. The show functioned as a purveyor of societal values in conjunction with its probing of crime stories, making it a mirror of contemporary culture for its viewership. Dragnet's impact on television police drama was profound and enduring, influencing numerous future series with its signature style and approach.

On a wider scale, Dragnet was more than a mere procedural crime series. It was a representation of the everyday heroes in uniform, dealing with the harsh realities of crime while maintaining a code of ethics, honor, and humanity. The show's portrayal of these everyday acts of courage, integrity, and dedication epitomized what would come to be recognized as a highly influential depiction of law enforcement. Through its eight-year-run, Dragnet remained culturally relevant and a significant milestone in the evolution of television, forever altering the landscape of police drama.

Dragnet is a series categorized as a canceled. Spanning 8 seasons with a total of 279 episodes, the show debuted on 1951. The series has earned a moderate reviews from both critics and viewers. The IMDb score stands at 7.5.

Genres
Crime Drama
Channel
NBC
Rating
7.5/10
Cast
Jack Webb, Barton Yarborough, Barney Phillips, Ben Alexander, George Fenneman
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