To Be Twenty

To Be Twenty, originally known as Avere Vent'anni, is a remarkable film released in the year 1978. Directed by Fernando Di Leo, this narrative tells a delightful yet evocative story of youth, freedom, and the exploration of female sexuality. It throws an intimate light on the struggles and challenges of being a young individual in the midst of socio-cultural changes.

Set in late 1970's Italy, the film explores the journey of two young women, Lia and Tina, portrayed by Lilli Carati and Gloria Guida. Carati and Guida, known for their strong performances in Italian cinema, headline the film bringing with them an air of authenticity and relatability to their characters. Moreover, Ray Lovelock, a notable figure in the Italian film industry, makes an appearance further strengthening the cast.

The story unfolds as Lia and Tina, two young women in their twenties, decide to hitchhike to Rome with dreams filled with excitement and curiosity, embodying the spirit of adventure and rebellion against the conservative norms of society. Their journey reflects the characteristic impulsivity and rebellion of youth, showcasing their craving for autonomy and their desire to establish an independent identity.

Throughout the movie, the cultural backdrop of the 70s unfolds, highlighting the turbulence and societal changes that were part of this transformative era. Amidst the libertine atmosphere pulsating with student protests, political uprisings, and burgeoning feminism, Lia and Tina experience an array of encounters that shape their perceptions of freedom, autonomy, and sexuality.

Gloria Guida, tasked with the role of Tina, gives an excellent performance showcasing a headstrong, free-spirited woman who yearns for an environment free from limitations. She enters unfamiliar territories with bold confidence, bringing to the screen the fearless and defiant spirit of the youth during that era. Lilli Carati’s portrayal of Lia operates as an apt contrast, reflecting a more reserved and cautious persona struggling with her conservative background.

Their relationship serves as the narrative’s backbone. The differences between their characters play against each other, creating dynamic tension and interesting exchanges. As their friendship evolves, so do their characters, each influencing the other while continuously reflecting the need to uphold their identity and free will. The chemistry between the protagonists greatly enriches the story, offering complex and realistic character portraits.

Ray Lovelock, playing a hippie, adds another dimension to the plot, introducing the hippie culture and a communal way of life that was infamous in the late 60s and 70s. His character embodies the counter-culture philosophy of that era, bridging the gap between the ideals and realities of the time.

Di Leo's narrative is not just a story of youthfulness and adventure; it is a profound insight into the societal norms and expectations surrounding young women during a time of turbulent change. The narrative explores the concepts of freedom, moral constraints, self-identity, and societal expectations through the characters' experiences. The film is also an interesting study of Italy's socio-political environment during this era, as well as an exploration of the sexual revolution taking place.

Moreover, To Be Twenty is recognized for its audacious depiction of female sexuality, challenging the traditional norms it flourished in. The movie transcends beyond the clutter of clichés and stereotypes, aiming to portray women as independent and sexually liberated beings.

The film’s cinematography should also be commended, as it beautifully captures the atmosphere of the 70s, bringing out the emotional intensity with striking visualization. The director uses this to achieve a sense of realism, as the audience is transported back in time, helping them connect with the characters and their experiences.

In conclusion, To Be Twenty is much more than a coming-of-age film. It questions, it challenges, and it examines the social constructs of the time. It's a film that does not shy away from taboo topics but instead embraces them and cleverly weaves them into an interesting and engaging narrative. Film enthusiasts seeking an in-depth exploration of adolescents, their introspections in a time of societal change, and viewers with a penchant for Italian cinema from the anarchic 70s, would find this film engrossing and worth a watch.