Satan's Children

Despite its title - which may imply a ferocious or devilish horror tale - "Satan's Children" from 1975 is actually a uniquely prompted exploitation film. Directed by Joe Wiezycki, and starring Stephen White, Eldon Mecham, and Joyce Molloy in the stellar roles, the movie focuses on a relatively unexpected storyline instead of dwelling purely on the paranormal or the macabre.

The film centers around the story of Bobby (Stephen White), a young man victimized by everyone around him. Raised in an oppressive home environment, with an abusive father and an unsympathetic stepmother, Bobby's story focuses on the despair of a lost childhood. His character is as complex as he is misunderstood. His efforts to fit in with society and his ongoing struggle with his repressed sexuality form a key part of the plot.

The movie rescinds regularly to Bobby's tormented family life, with regular sequences revealing the bitter interactions with his father and stepmother. Joyce Molloy portrays the stepmother who is indifferent to Bobby's troubles, showcasing a captivating performance with her dastard characters.

Bobby finds himself attracted to his step-sister, Janis, a role skillfully portrayed by Eldon Mecham, marking a unique angle in the storyline. This potentially controversial and unnerving persecution sets Bobby off onto a path of rebellion against his tormentors, leading to tumultuous consequences.

After some unfortunate consequences, Bobby finds himself stranded and homeless, only to be picked up by a group of rowdy young adults who seem friendly at first. However, that situation quickly turns sour, illustrating the dangers that run rampant in society's fringes. Left to fend for himself once again, Bobby is found by a group of Satanists led by the creepy yet fascinating character Sherry, who is mysteriously drawn to him.

The film takes a slight turn towards the supernatural with this new group's introduction. The Satanist cultists provide an unexpected shelter, and Bobby is accepted into the group as one of their own. Each scene is filled with intrigue and suspense. While the satanist theme builds the horror elements in the story, it is their acceptance and understanding of Bobby that positions this narrative in a unique territory creating a perplexing mix of fear, intrigue, and empathy.

Throughout the movie, Stephen White shines as Bobby. His raw and multi-dimensional performance helps drive the plot, and the vulnerability evident in his struggle for acceptance makes his character relatable and ultimately human. His transformation from an oppressed individual to facing the adversities thrown at him forms the backbone of the plot and keeps viewers engaged throughout.

"Satan's Children" falls mostly into the drama genre, but the experienced viewer will spot elements of both horror and suspense. There are complex undertones of religious upheaval, societal norms, and the horrors experienced by those living on the fringe of society. These undertones help lay the foundation for the horror elements seen throughout. For viewers with a keen interest in satanic cults and their lore, this movie does touch on these aspects though, not in the traditional horror movie context.

On the directorial front, Joe Wiezycki does a commendable job in capturing the grim reality of a troubled young man's life, showing a very human side to the otherwise macabre theme. Cinematographer Brooks Wilson's work remains outstanding throughout the movie, blending in the narrative, drama, and horror effectively.

"Satan's Children" offers an uncommon blend of human drama, suspense, and supernatural horror, tackling sensitive issues with a depth uncommon for this genre in the mid-'70s. Intense portrayals by Stephen White, Eldon Mecham, and Joyce Molloy steep the plot in conviction and authenticity, making this film a bewitching brew of the human condition mixed with nuanced horror elements. Despite its age, it remains an engaging piece of cinema for those interested in this genre, offering much more than what the title might suggest.