Channelling Baby

"Channelling Baby" is a heartwarming, emotional drama from 1999 that tells an intriguing tale of love, loss, and the complex nature of human connections. Filled with standout performances from a talented Kiwi cast including Jodie Rimmer, Danielle Cormack, and Stephen Hall, this film is a beautifully crafted narrative that stays with viewers long after the credits have rolled.

Directed by Christine Parker, the movie centers around the lives of two childhood lovers - Bunnie (Danielle Cormack) and Geordie (Kevin Smith). Their story is revealed through past and present narratives, intertwined effectively to explore the depth of their relationship. The retro 1970s setting detailed through immersive mise-en-scène, period-specific fashion, and tunes of the era adds another vibrant layer to the storytelling.

Danielle Cormack, admired for her powerful screen presence, raises the standard with her enigmatic portrayal of Bunnie. Bunnie is a young, vibrant woman, full of life yet struggling with the complex puzzles of her existence. Jodie Rimmer gives a captivating performance as the present-day Bunnie, conveying the raw emotion and deep melancholy of a woman who has lost her child.

Her life takes an unexpected turn when she meets a psychic, Bruce (played by Stephen Hall), who possesses the strange ability to connect with her lost daughter, Baby. Rimmer and Hall share a spot-on, compelling chemistry that fuels the narrative's suspense and emotional weight. Stephen Hall's rendition of the humorous yet tormented medium adds a fascinating dynamic and some comic relief amidst the film's powerful moments of sorrow.

The story then takes us on a spellbinding journey as Bunnie seeks to reconnect with the spirit of her daughter and find a measure of peace in her troubled life. The film makes brilliant use of New Zealand’s scenic landscapes, and the soul-stirring background score complements the narrative perfectly. Its treatment of the metaphysical and spiritual aspects is easy to digest, adding to its universal appeal.

"Channelling Baby" embodies an intimate exploration of grief, love and the supernatural. This film is much more than a compelling ghost story - it’s a tale of a woman's determination and pursuit of emotional healing. Whilst Bunnie’s yearning for reconnection assumes a central role, the film also highlights the integral themes of hope and resilience.

Supporting performances from a skilled ensemble including Amber Sainsbury, Joel Tobeck, and an unforgettable appearance from Kevin Smith lends depth to the storytelling. The intricate detailing of characters, whether primary or secondary, not only anchors the narrative but builds an authentic world populated with various shades of human existence.

Rimmer’s performance, combined with a relevant script and Parker's skillful direction, really holds the film together. Parker's ability to handle such an emotionally heavy narrative with finesse and sensitivity showcases true directorial prowess. The result is a complex and captivating film that shows the exploration of life, loss, and the lengths one would go to reconnect with a loved one.

"Channelling Baby" also stands out due to its exceptional screenplay, deftly penning moments of humor, tension, and heartfelt emotions. The progression of the narrative is at a good pace, undulating between the extremes of emotion with subtlety and thoughtfulness.

Despite dealing with heavy themes, the movie is not devoid of lighter moments. The movie’s humour and wit, peppered throughout, offer a breather from the emotional intensity, making it a balanced viewing experience.

The brilliance of "Channelling Baby" lies in the delicate exploration of complex characters, their lifechanging relationships, and an unexpected journey towards self-discovery. This cinematic gem manages to stay true to its core while beautifully exploring themes of love, loss, and hope. Whether you're a fan of emotional dramas, character-driven narratives, or the charm of New Zealand cinema, "Channelling Baby" is a must-watch. Despite the intense emotions it evokes, the film leaves its audience with a sense of reconciliation and hope, not despair.