Before the Mountain was Moved Coal Mining Documentary

Before the Mountain was Moved is a compelling documentary that presents an in-depth exploration of the realities of coal mining through the lens of the residents of West Virginia and the coal companies that are pervasive in their lives. Released in 1969, this 58-minute film directed by Robert K. Sharpe gives audiences a privileged inside look into the intricacies of coal mining, the socio-economic implications of this labor-intensive activity, and the disputes that arise from it.

The documentary unfolds in a small Appalachian Mountain town, providing an intimate view of the people whose lives are intricately tethered to the mining industry. This rural community bears the brunt of the environmental devastation caused by strip mining practices, further highlighting the complex interaction between humans and the environment. It particularly points out the grave danger to these local residents who are at risk of being displaced due to erosion, landslides, flooding, and other calamities as the mountains are stripped for coal.

Before the Mountain was Moved begins by capturing the harrowing tale of a farming community in the Appalachian Mountain range whose way of life and the only livelihood they have known are threatened by their homes' impending destruction. Amid this dire situation, the residents unite to rally against the rampant strip-mining that is, literally and figuratively, tearing down their mountains – the very symbol of their persevering spirit.

Throughout the film, the viewer is presented with the seemingly insurmountable challenge of battling powerful coal companies, the community's bold solution to this, and the heartrending results of individuals who are left powerless in their plight. This narrative powerfully demonstrates the human cost of coal production – a rarely observed reality beyond the statistics and industry jargon.

The documentary adeptly interweaves the perspectives of the townspeople, coal miners, and representatives from coal companies. These varying points of view present a nuanced story revolving around the pressing issue of destruction and survival, commerce and culture, and environment and exploitation. The film goes beyond delineating the laborious work of coal mining; it uncovers the politics, corporate power, community struggles, and reforms in the system, making it a relevant commentary on industrial capitalism in the late 1960s.

However, the film does not merely accentuate the devastating stripping of mountains and the plight of the common folk against corporate power. It also offers a glimmer of hope. It showcases the emergence of a citizens' movement that powerfully rises against the odds. The film depicts how these Appalachian residents assert their rights and engage in courageous efforts to save their mountain, their home, and their way of life.

Arguably the masterpiece of the documentary is its ability to portray the resilience, nobility, and spirit of the community in the face of adversity. The townspeople and miners, endowed with a unique Appalachian charm and wit, breathe life into the documentary, grounding the viewer into the personal lives and struggles of these individuals. This human aspect brings an emotional connection to the story, making it more than just an expose of the coal mining industry.

Before the Mountain was Moved presents the viewer with a thought-provoking juxtaposition between the ceaseless march of industrial advancements and the simple, backwoods life of rural America. Shot in grainy black and white, the film has a raw, unedited feel that captures the rough, grittiness of life in the mining town. This aesthetic choice lends an authenticity to the film, pulling the audience deeper into the stark realities it portrays.

In summary, Before the Mountain was Moved is a passionate tribute and empowering chronicle to an unwavering community whose lives hinge precariously on the wealth beneath their mountains. With its social and environmental narrative, it is a story that resonates even today. By the end of the film, you are left with a deeper understanding of the historic struggle of the working-class in the coal industry - a stark reminder that more than a topographical feature, the mountain stands as an enduring symbol of their livelihood, culture, and the intrinsic human capacity to resist and survive.