Becket

Becket is a fascinating historical drama directed by Peter Glenville and released in 1964. The film features the acting talents of Richard Burton, Peter O'Toole, and John Gielgud. It is an adaptation of Jean Anouilh's play 'Becket or the Honour of God,' retelling one of the most significant power struggles in British history. The narrative is rich in drama and conflict as it delves into the friendship, rivalry, and ideological opposition between two key figures of the 12th century - King Henry II of England (Peter O'Toole) and Thomas Becket (Richard Burton), the Archbishop of Canterbury.

In the story, we witness the transformation of Becket, from a pleasure-seeking confidant to the king, into a principled and strong-willed defender of the Church. The film starts by painting a picture of a deep friendship between Henry II and Becket, the latter being a Saxon commoner, albeit serving as a close advisor to the king. Their rapport is rooted in their shared knack for enjoying life's luxuries and a mutual disdain for the moral control exercised by the Church.

But the equilibrium of their association is upset when Henry, in an attempt to assert control over the Church, appoints the unsuspecting Becket as the Archbishop of Canterbury. Much to Henry's surprise, Becket takes his ecclesiastical duties seriously, refusing to adapt it to suit the king's wishes. The friendship sours into a fierce ideological tussle, leading to a climactic fallout that henceforth shakes the kingdom.

The movie thrives on the commanding performances by its leading actors. Richard Burton's portrayal of Becket’s transformation is masterful. He excellently showcases Becket's immense inner struggle and transformation from a pleasure-seeking man to a man of God, providing a nuanced representation of religious fervor. Peter O'Toole's depiction of the charismatic and yet profoundly flawed King Henry II is equally mesmerizing, fraught with capriciousness, spite, and a deep sense of regret and betrayal.

Among supporting actors, John Gielgud, as King Louis VII of France, makes a lasting impression. He delivers his part with aplomb, supplying the necessary political context of the times and dynamics that exist beyond the main characters' personal equations.

Visually, Becket is a cinematic treat. The authentic detail and richness of production design and costume can't go unnoticed, bringing out an impressive medieval aura. Cinematography complements the narrative's intensity, with shot composition and lighting that constructively underscore the dramatic moments. Equally immersive is the musical score by Laurence Rosenthal, whose sweeping orchestration magnificently frames the emotional pulse of the narrative.

Becket also shines out historically - it cleverly dramatizes a slice of history without diluting the complexities of its political and religious implications. It provides a social commentary on the constantly clashing realms of religion and state authority, doing so via two fully-realized characters embroiled in a persistent struggle for power. It meditates upon the independent functions and responsibilities of the Church and the state and the profound consequences when the lines between the two blur.

In summary, Becket is a profound character study revolving around themes of faith, friendship, power, and betrayal. It combines engrossing performances from its cast with intelligent storytelling, well-researched historical context, and beautiful period detail. It serves as a compelling spectacle of personal loyalties and political pressures in 12th century England. With its enduring themes and memorable performances, Becket remains an important entry in the pantheon of historical drama films.