We Still Kill the Old Way

We Still Kill the Old Way is a classic Italian movie, directed by Elio Petri and starring Gian Maria Volontè as Luca Canali, a man who is released from prison on the condition that he assists the police in finding a dangerous criminal. However, instead of helping the police, Luca decides to take matters into his own hands and decides to seek revenge on the people who wronged him.

The story is set in Rome in the 1960s and tells the story of a group of aging criminals who come together to avenge the killing of one of their own. These "old-timers" are from a different era where honor and loyalty were highly valued, and they refuse to let the younger generation take over the criminal underworld without a fight.

The movie is a gritty and violent tale of revenge that pulls no punches in depicting the brutal reality of organized crime in Italy. The characters are complex and multi-dimensional, and the cast is outstanding, particularly Volontè, who delivers a powerful and nuanced performance as the conflicted Luca. Also, Lino Ventura as Commissario Bonavia brings his depth of experience to the role of the honest and determined police officer.

One of the film's strongest aspects is its depiction of the changing social landscape of Italy in the 1960s. The country was undergoing a massive transformation, and organized crime was struggling to adapt to changing times. The film portrays the social and cultural shifts of Rome during this time period while showing how these changes affected the criminal underworld.

The movie's cinematography is stunning, particularly the shots of Rome's ancient streets and landmarks, which provide a stark contrast to the violence and bloodshed that take place in these locations. The film's score is also notable, featuring a blend of traditional and more modern musical motifs that perfectly capture the mood and energy of the story.

Overall, We Still Kill the Old Way is a gripping and intense crime thriller that deserves more recognition outside of Italy. The film offers a compelling look at a fascinating period in Italian history and serves as a powerful commentary on the decline of traditional values and the rise of modern-day crime. It is a must-see for fans of Italian cinema and anyone who appreciates a well-crafted tale of revenge and redemption.