To Let

To Let is an influential Indian drama that hit the cinemas in 2019 composed of a dazzling cast that includes Dharun Bala, T. Arul Ezhilan, and Mk Mani. This film is a deeply profound journey that explores the repercussions of rising of gentrification in Indian society. It's an innovative, indie-style film written and directed by Chezhiyan Ra, whose creative stamp is evident in every frame of the movie. To Let is a story with content universally appreciable as it tugs at the heartstrings of viewers around the world.

The film's plot revolves around the life of an average middle-class aspiring filmmaker, Ilango (Dharun Bala), his wife Amutha (Sheela Rajkumar), and their young son Siddharth (T. Arul Ezhilan). The talented Bala brings to life Ilango's character, which is his struggle to balance his professional and personal life, beautifully portraying the conflict between aspiration and reality. The narrative takes off when the family is abruptly forced to vacate their rented apartment, and the subsequent problems they face. This is made even more engrossing by the personal struggles each character is undergoing, like Ilango's ongoing financial instability and Amutha's wish to create a better future for their son. All of it wrapped in a riveting, emotive package.

This film isn't just remarkable for its core plot, but also for the stellar performances that bring it to life. Dharun Bala astoundingly encapsulates the essence of a struggling, would-be filmmaker trying his best to provide for his family, while at the same time clinging onto his dreams. T. Arul Ezhilan, playing their son, delivers a remarkable performance, especially given his young age. The chemistry between the actors gives a very authentic feel to their family unit. You root for them, you feel their desperation, and you share their small moments of joy and optimism.

What makes To Let even more absorbable to the viewer is the style Chezhiyan Ra executes. The exquisite cinematography is a standout, with every frame masterfully designed to portray the director's vision. The film is shot in an independent style, complemented with minimal background music which intensifies the realism of the entire piece. As a result, the film evolves into a potent social commentary buried in a personal narrative, giving it a unique place in Indian cinema.

As far as the technical aspects are concerned, the director of photography, Srinivasan, deserves kudos for presenting the audience with an aesthetically pleasing yet gritty panorama of Indian city life, capturing brilliantly the effects of urbanization on the common man. The screenplay, also written by Chezhiyan Ra, seamlessly intertwines the various narrative threads, creating a balanced movie experience that will leave viewers thinking.

Coming to the music, the film features a haunting score by composer Santhosh Narayan. It's contemplative and minimalist, heightening the film's emotional gravity by beautifully underscoring each scene without becoming invasive. The music is delicately woven into the narrative, bolstering significant scenes with finesse.

In summary, "To Let" is an appealing story full of heart-warming and heart-wrenching moments, coupled with phenomenal performances by the entire cast. It's profoundly human, giving insight into the everyday lives of the average Indian middle-class family. It's a stark commentary about the economics of living, dreams, aspirations, and the struggle between hope and despair. The film skillfully depicts the challenges of gentrification faced by the common man, which resonates with many people.

Overall, "To Let" is a thought-provoking, wonderfully executed piece of cinema that will resonate deeply with many viewers, making it a must-watch film. It's a poignant reminder of the power of simplicity in storytelling while delivering a profound message. It encapsulates the trials and tribulations, joy, sorrow, dreams, and reality of life, reflecting these in a hard-hitting, sincere, raw, and yet touching narrative which will remain etched in the minds of its audience long after the curtains roll down.