The Wasting

The Wasting, released in 2017, crafts a mind-bending narrative that blurs the line between reality and illusion, exploring themes of love, self-understanding, and mental health. Directed by Carolyn Saunders, the film features captivating performances from its skilled cast, including Alexz Johnson, Shelagh McLeod, and Lauren McQueen.

The film opens in a tranquil English town, where we are introduced to the protagonist, Sophie (played by Alexz Johnson), a teenager grappling with the normalities of teenage life and the complexities of her family dynamics. Sophie's father, a local doctor played by Brendan Flynn, is strict and unwavering, while her mother, portrayed by McLeod, is a seemingly absent artist. Alongside these domestic struggles, Sophie finds herself in the throes of her first love, fueling the tensions she faces.

British actor Gray O'Brien lends his talent to the ensemble as Robert, the local shoemaker, who adds another layer to the town's idiosyncratic landscape. O'Brien further complicates Sophie's world, influencing her with his mystical Irish charm. Lauren McQueen delivers an excellent performance as Jen, Sophie's best friend who is always ready to provide solace, and a listening ear.

The plot deepens as Sophie begins to suffer from a mysterious illness that causes her to waste away physically. Her father applies his medical expertise in an attempt to cure her, while her friends struggle to understand what is happening. The physical malady, however, is only one side of Sophie's troubles. She begins to become haunted by nightmarish visions, exacerbating her fears and deepening her sense of isolation. These elements fold together to illustrate a chilling portrait of a girl falling apart both physically and emotionally.

As the film progresses, Sophie's health and mental state continue to deteriorate. The viewer is taken on a ride that is both physiological and psychological, wrapped in a story that feels all too real given its setting in a small, quiet town. The narrative expertly navigates the themes of loss, mystery, love, and resilience, all while building a chilling atmosphere that keeps the audience on the edge of their seats.

The film's cinematography, handled by David Makin, is another significant highlight. The quaint façades of the houses, picturesque landscapes, narrow alleyways, and claustrophobic interiors combine to create an increasingly eerie and surreal environment that adds another layer of tension and uncertainty to the narrative. Makin's expert use of visuals helps to encourage a sense of foreboding and unease that coincides with Sophie's deteriorating condition, creating a strong link between her emotional journey and the physical world around her.

Another intriguing aspect of The Wasting is its sound design. The captivating and occasionally chilling soundtrack by James Mark Stewart underscores the horror elements, contributing to the film's ominous atmosphere. Strategically incorporated sound effects heighten the anxiety and suspense felt by viewers adequately and drive the narrative effectively.

One of The Wasting's more noteworthy features is its command of subtlety. It doesn't rely heavily on jump scares or the other traditional horror tropes. Instead, it builds up a deeply unsettling atmosphere through its characters, setting, music, and plot. The film takes its time to draw the viewers into Sophie's world before gradually descending into the macabre. Another effective narrative decision is to leave certain elements of the plot open to interpretation, thereby fueling the mystery and making the film a thought-provoking watch.

In conclusion, Carolyn Saunders' The Wasting is a compelling exploration of the human psyche, touching on themes of familial relationships, first love, and the transformative power of trauma. With its talented cast, unsettling atmosphere, and thought-provoking narrative, this film will resonate with viewers long after the end credits roll, making it an engaging and poignant addition to the psychological horror genre.