The Nasty Terrible T-KID 170: Julius Cavero is a bold, honest, and gritty 2014 documentary of the same-name artist Julius Cavero, also known as T-KID 170. His contributions to the graffiti art movement are traced right to its roots in the Bronx, where adolescent vandalism evolved into a worldwide cultural movement. This compelling and thought-provoking documentation allows a glance inside New York City's street art and hip hop culture during its infancy.

The film, directed and produced by Carly Starr Brullo-Niles, is as daring and genuine as Cavero’s artwork. It masterfully captures Cavero’s colourful life, chronicling his transformation from a street kid to an internationally recognized and acclaimed graffiti artist.

The documentary revolves around the life of Julius Cavero, who grew up in the South Bronx. Often referred to as the “king of trains” for his distinct style and dominance in the subway graffiti era, he is more widely recognized by his street name, T-KID 170. The movie introduces us to the gritty reality of the 1970s and '80s New York City, into Julius's experience growing up. Julius narrates his life story in his own words, unfolding a narrative of trials and triumphs that shaped him as an artist.

A significant segment of the film is dedicated to Julius's love for graffiti art. From showcasing how he first started experimenting in this art form to establishing his deep-rooted connection with it, a vividly thrilling tale enthralls the viewer. The film reveals Julius' contributions to the graffiti movement in the 1980s, a time when this specific art form was considered rebellious.

The passion-driven documentation captures the visceral essence of the graffiti art movement and its effects, which were initially frowned upon but now are a vital part of the urban art scene. It captures beautifully striking patterns of spray-paint art, evoking a profound realization about the power of self-expression and how it transcends onto city walls, trains, and buildings.

Besides Julius Cavero himself, the film also features interviews with Henry Chalfant, an American photographer and videographer well-known for capturing New York Subway graffiti in the 70s and 80s, who has extensively documented the work of T-KID. Additionally, Martin Jones brings his perspective to the table, providing a comprehensive view of the birth and evolution of this trendsetting art movement.

The Nasty Terrible T-KID 170: Julius Cavero is not only an exploration of Julius's life as an artist but also the embodiment of how an entire generation opted for art as a form of rebellion and self-expression. It does not shy away from portraying the dangers and risks involved, spotlighting the sheer dedication these artists had.

The movie highlights the painstaking process behind the elaborate graffiti pieces industry insiders call 'burners.' It is an intimate exposition on the dedication, sacrifices, and hard work behind these complex artworks. It subtly explores the socio-political undertones attached to graffiti, and its firm root in the subculture of the era it was born in.

The visual effects used in the movie tastefully mimic the aesthetic of graffiti, becoming a homage to the spectacular art form and enhancing T-KID's compelling narrative. Paired with a soundtrack as vibrant as the visuals, the film is an immersive and engaging ride through the streets of New York and the journey of a graffiti virtuoso.

Perfectly seaming together amazing cinematography, storytelling, and art, director Carly Starr Brullo-Niles crafts a powerful documentary, which will undoubtedly move artists and non-artists alike. It is a testament to the intersection of art and the urban lifestyle and all the creativity, resilience, and resistance it embodies.

In conclusion, The Nasty Terrible T-KID 170: Julius Cavero provides an engaging, vibrant, and nuanced insight into the world of Caesar “T-KID 170" with authentic regard for the enchanting chaos that street art ensues. It's a credible epitome of one man’s journey through the world of graffiti, bringing the beautiful chaos of the urban art scene to your living room. This movie, though singularly focused on one individual, reflects the collective spirit of a generation that sought to express their identity through the language of art.