P.S. Jerusalem is a riveting, personal, and deeply touching documentary that takes us through three turbulent years in the lives of an Israeli family living in Jerusalem. The film was masterfully directed by Danae Elon and stars Luai Musa Hatib, Amos Touitou Elon, and Andrei Touitou Elon, providing the intimate true tale with an intense emotional weight distinct of high-quality real-life narratives.

The 2015 documentary is at once an evocative exploration of identity, family, and belonging, and also a heartfelt love letter to a city profoundly torn by political conflicts. The film is underscored by Elon's thought-provoking narration and the unfiltered, organic spontaneity of her two young sons’ experiences in their new environment, epitomizing the innocence and wonder that children can bring to even the most troubled of territories.

Danae Elon, the film's director, displays her enormous storytelling prowess by skillfully piecing together home-video-like scenes, creating an artfully intimate family portrait that conveys both the love and the conflict embedded in the family's relocation. The naiveté of her sons, Andrei and Amos, contrasts starkly with the tension-riddled setting around them.

P.S. Jerusalem invites us to a deeply moving journey into the daily lives of the Elon family as they grapple with Jerusalem’s societal complexities, providing a mirror to the Israeli reality and the struggle between idealism and the somber realization of being 'outsiders' in a city they once called home.

The movie covers the increasing struggles experienced by the family, especially by their trusted nanny, Muai, a Palestinian. The director competently weaves in this subplot, using it to expose the audience to the diverse perspectives regarding the ongoing Israeli-Palestinian conflict that dwells largely on the city’s historical, religious, and cultural significances. The invaluable contributions of Luai Musa Hatib, Amos Touitou Elon, and Andrei Touitou Elon bring this multi-layered story to life, creating a resonating narrative teeming with honesty and raw emotions.

An excellent aspect of P.S. Jerusalem is the stark imagery and cinematography employed, forming a poetic backdrop of the ancient city in all of its conflicting glory. The scenes flow naturally, some mundane and others confrontational, finding exceptional beauty in the normalcy of a city constantly under scrutiny, suspicion, and tension.

What makes P.S. Jerusalem unique is its avoidance of political debates or granular analysis of the tense regional disputes. Rather it offers a candid observation of everyday life, filled with school runs, domestic banter, and the innocence of children trying to make sense of their world. By choosing to examine the Israeli-Palestinian conflict through the lens of her family's lived experiences, Elon is able to illuminate the personal stakes of this deeply-rooted geopolitical struggle.

P.S. Jerusalem portrays not just a city, but a state of mind, a complex entity of politics and religion, love and hate, an embodiment of global tension and tribulation. Yet through all its strife, Jerusalem remains a place where people wake up, go to work, attend school, and engage in mundane activities similar to any other city in the world. However, the city's ever-present political climate hangs like an omnipresent shroud over the most trivial of familial interactions, an enduring reminder of the paradox that is Jerusalem.

In conclusion, P.S. Jerusalem manages to beautifully interweave the lives of Danae, Andrei, Amos, and Muai as they navigate the everyday whilst dealing with the conflict that surrounds them. This movie is surely a must-watch for those who seek a personally compelling exploration of the complexities of identity, conflicts, family, and the diverse human elements that amalgamate to form the Jerusalem we know today.