On the Job

On the Job is a gripping and intense crime thriller set in the busy streets of Manila, the capital city of the Philippines. Directed by Erik Matti, the film centers around the lives of two prisoners who are temporarily released from jail to become hired killers for corrupt politicians and businessmen.

The movie opens with the brutal killing of a prominent journalist investigating corruption in the government. The main suspect, a low-level criminal named Tatang (Joel Torre), is arrested and sent to prison. Meanwhile, another criminal named Daniel (Gerald Anderson) is also incarcerated for a different crime. Both men are recruited by a corrupt police officer, Francis Coronel Jr. (Piolo Pascual), to carry out assassinations in exchange for temporary freedom.

The story unfolds through parallel narratives, following the two hitmen on their missions while also exploring the complexities of their personal lives outside of their criminal work. Tatang is a family man who supports his wife and sick daughter with the money he earns from his job as a contract killer, while Daniel is a young man who got involved in crime to provide for his girlfriend and their baby.

As the two men carry out their deadly tasks, they become embroiled in a larger conspiracy involving powerful figures in the government and the police force. When the journalist's daughter, an idealistic lawyer named Francis (played by Angel Aquino), begins investigating the murder, the hitmen find themselves caught up in a web of danger and betrayal.

On the Job is a hard-hitting and thought-provoking movie that tackles themes of corruption, class struggles, and morality in contemporary Philippine society. The film is notable for its gritty and realistic depiction of Manila's underworld, which is characterized by poverty, violence, and political maneuvering.

The performances by the three leads are exceptional, particularly that of Joel Torre, who brings nuance and depth to the character of Tatang. Piolo Pascual is also excellent in his role as the crooked cop, portraying a complex and conflicted character who is both ruthless and vulnerable.

The film's direction and cinematography are also noteworthy, with Erik Matti effectively using handheld cameras and a muted color palette to create a sense of urgency and realism. The action sequences are particularly well-done, with the film's climax featuring a thrilling car chase through the crowded streets of Manila.

Overall, On the Job is a riveting and powerful film that shines a light on the darker corners of Philippine society. Its exploration of the blurred lines between crime and justice, loyalty and betrayal, makes it a must-see for fans of crime thrillers and social commentary alike.