Office Romance: Our Time is a modern Russian romance-comedy film but essentially a revamped version of the classic from 1977. The original was a significant Soviet-era film, helmed by the notable director, Eldar Ryazanov. The reboot's title also signifies the film as a new interpretation of the classic, set in our current era.

The plot largely mirrors the original film while accommodating contemporary changes and contexts. The story unfolds in a large corporation's statistical department, bringing together an ensemble cast of characters, each making their way through the corporate world with different motivating factors like ambition, relationships, and survival in tough economic times. The movie presents an entertaining and witty exploration of office politics, routine life, and complicated personal relationships.

The protagonist is Anatoly Yefremovich Novoseltsev, a timid and unassuming single father battling with mid-life crises. He plays a minor and somewhat insignificant role in the corporate world. But Anatoly is good-hearted and smart, armed with a statistical brain and a genuineness that makes him a well-liked character, although he's often overshadowed by more brash, extroverted colleagues.

Nina Ilyinichna Milyaeva, a tyrannical and seemingly unapproachable head of the department, is the unlikely love interest. She's beautiful, smart but comes with an intimidating, icy exterior, earning her the reputation of a workaholic boss who is believed to be more focused on profits and productivity than human connections.

As the plot moves forward, due to a peculiar chain of events, the unadventurous Anatoly finds himself in a tricky situation of having to woo his tough-talking boss, Nina. While the very thought seems unrealistic and fraught with pitfalls, the narrative is structured around this unusual romantic endeavour.

The complex relationship between Anatoly and Nina forms the film's core. As Anatoly nervously and unseemly approaches the task, the film narrates a tale of unexpected romance blooming in a sterile corporate environment. Nina, the strict boss, begins to reveal new facets of her personality, and the couple's awkward interactions start warming up.

Just as any true romantic comedy, around this central premise, Office Romance: Our Time spins many sub-plots involving supporting characters - co-workers with their unique traits, quirks, and secret romantic liaisons. These side stories add a lot of substance, humor, and heat, thereby enhancing the overall narrative scope and setting a perfect backdrop for the central love story.

Office Romance: Our Time is distinguished by a vivid storyline, sparkling dialogue, engaging performances, and endearing characters. The film strikes a beautiful balance between humor and sentimentality and offers ample laugh-out-loud moments along with touching scenes that hit close to home, especially for anyone who has dealt with the ups and downs of corporate culture.

The film's charm lies not only in the stirring, unlikely romance at its core but also in the distinctly etched-out characters, be it the kind-hearted and somewhat naive Anatoly or the reserved and focused Nina. They each bring a unique blend of authenticity and liveliness to their roles.

The director brilliantly captures the intricacies of office life, the relationships between colleagues, and the corporate ladder's climb. However, the movie isn't just about poking fun at office culture or projecting a fairy-tale romance. It also reflects on deeper themes like ambition vs. comfort, rigid professionalism vs. human touch, single parenthood, and mid-life crises.

In essence, Office Romance: Our Time is a delightful and charming film that pays affectionate homage to its prestigious predecessor while effortlessly adapting the narrative to contemporary times. It's a movie that can easily transport you to your workplace while you're at home, evoke laughter, and warm your heart with its endearing romance. It's a must-see film for lovers of romantic comedy and those who enjoy an in-depth exploration of human relationships set in a relatable backdrop.