Numb

In “Numb,” a 2007 movie directed by Harris Goldberg, Matthew Perry leads the performance with a classic portrayal of a man with a rare and baffling disorder. “Numb” grapples with themes of mental health and the struggle to achieve normalcy or, at least, an understanding of a new normal. It presents a unique blend of drama and comedy which proves that laughter may be one of the best medicines for dealing with life's uncertainties.

Matthew Perry is best known for his role as the charismatic Chandler Bing on the popular sitcom "Friends". In "Numb", he makes a dramatic shift from his usual comedic performances. Perry stars as Hudson Milbank, a successful screenwriter who one day suddenly finds himself distanced from reality, feeling out of sync with himself and the world around him. Matthew Perry expertly captures the demeanor of a man who is deeply disconnected and trying to negotiate a way through his sudden and disturbing mental state.

The medical world diagnoses Hudson with Depersonalization Disorder (DPD), a feeling of being 'numb' and detached, watching oneself live as though in a dream or a movie. This rare mental disorder is so expertly brought to life by Perry's performance that viewers may find themselves contemplating their own experiences and realities.

Lynn Collins plays Sara Harrison, a woman who unexpectedly enters Hudson's life during one of his visits to a psychiatrist. Despite Hudson's problems, Sara is able to penetrate his disconnected state and form a bond with him. Collins’s character offers a beacon of hope for Hudson, and their relationship introduces a dose of much-needed positivity into the bleak landscape of his life. Lynn Collins provides an excellent portrayal of a resilient woman who must navigate the complex minefield of a relationship with someone grappling with an unusual mental disorder.

Kevin Pollak, popularly known for his performances in A Few Good Men and The Usual Suspects, plays Tom, Hudson’s supportive friend and business partner. His character operates as a grounding force in Hudson's chaotic life throughout the film.

What’s noteworthy about Numb is that it takes the less-explored path of dark humor to articulate its seemingly sombre themes. Goldberg uses his expert touch to weave in elements of humor at the most unexpected instances, turning potentially dismal scenes into moments of laughter. This approach also serves to emphasize the absurdity and complexity of Hudson's predicament, making the audience contemplate the unpredictable nature of mental health issues.

The director not only beautifully captures the reality of grappling with a mental disorder but also highlights the journey of understanding and embracing one's abnormality. The film’s representation of therapy and the medical world’s attempts to ‘cure’ mental illness invites a discussion on the complexities of treating psychological disorders, and the often-misguided attempts to fit unique individuals into societal norms.

"Depersonalization Disorder" is a subject that is rarely given limelight in cinema. Goldberg's choice to center his story around this particular condition has resulted in a fresh and riveting movie that encourages viewers to educate themselves about mental health issues and promotes empathy for those living with such conditions.

Matthew Perry’s performance in “Numb” is both engaging and chilling. His interpretation of Hudson is natural and introspective; his character’s quest for recovery becomes the redefining journey of his life. Hudson's struggle with self-acceptance and his journey towards understanding and coping with his condition adds a deeper layer to the movie, making it a compelling watch.

“Numb” is a unique movie that subtly and effectively uses humor to tackle serious matters, like mental health issues. It is a movie for those who appreciate nuanced storytelling, superior acting, and a fresh approach to understanding mental illnesses. The film ends on a hopeful note, reminding audiences that a life impacted by mental health issues is not necessarily one that’s devoid of happiness, but rather, one that has different definitions of normalcy and joy.