Metzitzim

Metzitzim is a comedic drama film released in 1972. Directed by Uri Zohar, the film stars Arik Einstein, Uri Zohar, and Sima Eliyahu as leading characters. The movie is set entirely in Israel and captures the essence of the urban culture and lifestyle of Tel-Aviv during the 70s. The film is in Hebrew, originally titled "Peeping Toms" which insightfully hints at the humorous and somber quality of the narrative.

The story follows two good-natured but perpetual bachelors, Isaac (also known as Chuco, played by Zohar) and Shalom (Einstein), who harbor a fondness for the beach, mainly because it allows them to behold the parade of beautiful women who frequent the location during the summer. Their favorite haunt is Metzizim Beach, a local hangout spot. Their days are spent lazing on the warm sand, absorbing the sun and simply observing beach-goers. Being bachelors, they also entertain prospects of meeting someone interesting amongst the crowd.

Shalom, a lifeguard, nurses a quiet crush on Niva (Sima Eliyahu), a pretty teacher on vacation with her two little kids. The character of Shalom, portrayed by Einstein, is endearing, lovable, and somewhat shy, which makes for a character that the audience can root for. Einstein's portrayal makes Shalom's minor foibles and timidity remarkably accessible while also giving him heart and bravery.

Chuco is the bolder of the two and is portrayed by Zohar, who is also the director of the film. Chuco is rootless and noncommittal, spending his time with petty gambling and practicing his saxophone. Chuco’s character brings a sense of humor and frivolity to the film, making him both charming and frustrating to watch.

The film's title, Metzitzim, means "peepers," referring to both the main characters' penchant for voyeurism and the openness of Israeli society, where everyone seems to know or care about what’s going on with each other. This gentle comedic lens through which the film captures Tel-Aviv's culture moves beyond the beach to provide a voyeuristic peak into the city's lifestyle and the people inhabiting it.

As well as being a spirited and friendly portrayal of bachelor life in 70s Tel-Aviv, Metzitzim also subtly reflects the social changes that were happening in Israel at the time. This was a period of cultural shift, and the film presents a fascinating snapshot of Israeli society on the cusp of a significant transition.

The script, written by Hanoch Levin, brings a sense of realism and relatability to the characters and the situations they find themselves in. Levin's script expertly cinches comedy with an undertone of authenticity, which is often poignant. The roll of the dice in beach games resonates as more than just a type of distraction; they echo the unpredictability of fate that each character navigates.

Zohar's direction combines the altruism of his characters with the specific essence of time and location, forming a visual language that’s as rich as Levin's dialogue. Zohar still affords each individual the space and consideration to grow and evolve. The cinematography of the film has a sunny, nostalgic tone that beautifully captures the essence of a Tel-Aviv beach in the 70s, making viewers feel as if they have been personally transported to another time and place.

Metzitzim is a blend of comedy, drama, and social commentary. Although it is set in a specific time and place, its themes of friendship, love, humor, and change are universal. The film has a unique Israeli flavor, which makes it a recommended watch for anyone interested in the culture and history of the country during the 70s. The viewers are allowed not just to observe the characters living their lives, but also to engage with the shifting cultural nuances of the time. It is indeed a delightful blend of nostalgia, comedy, and reality, thereby forming an integral part of Israeli cinematic history.