Las Ninas

Directed by Pilar Palomero, Las Ninas (The Girls) is a Spanish coming-of-age drama film released in 2020. Combining elements of history, drama and coming-of-age themes, Las Ninas plays out against the backdrop of Spain in 1992, a fascinating period of socio-political transformation in the country's history just after it held the Summer Olympic Games in Barcelona.

Centering around the summer in which young protagonist Celia (played by Andrea Fandos) faces the turmoil of adolescence, the film is a profound exploration of what it means to grow up in a setting beset by stringent socio-religious parameters. Fandos captivates the audience with her subtly nuanced performance, capturing the pains, joys and paradoxes that come with young age in a changing society.

Natalia de Molina, an actress known for her high caliber performances, portrays the character of Adela, Celia's mother. A woman of working-class origins, Adela wants her daughter to have the opportunities she herself never had. In her portrayal of Adela's nuanced character, de Molina beautifully illustrates a mother’s dilemma in balancing her child's aspirations with the societal norms she needs to abide by.

Zoe Arnao, another major character in the film, depicts Brisa, a new student and the cool girl from Barcelona. Her character's rebellious nature and vibrant energy serve both as a symbolic representation of the impending changes in the country and as a catalyst to nudge Celia from her timid shell. Brisa’s keen awareness of the world outside, and her tumultuous childhood, offer a brilliant contrast to the seemingly peaceful life of the protagonist.

The narrative unfolds in the premises of an all-girls Catholic school run by nuns, where Celia and her friends are often seen in their plaid uniform, attending lectures or partaking in routine chores. The stern and rigid environment of the convent school serves to mirror the conservative socio-cultural values prevalent during that time.

Las Ninas brings into focus the gradual movement of Spain towards a more modern society. The film subtly highlights the cultural shift that was unfolding during the 90s period, from traditionally rooted conservatism to a more progressive outlook that marked Spain's transition to a modern European country.

Director Pilar Palomero showcases her ingenuity and refined touch in crafting a story that’s personal, yet universally resonant. She adeptly frames sceneries and captures moments that speak louder than words, demonstrating her compelling sense of visual storytelling. Each character is sketched out with care and detail, giving the narrative a sense of authenticity that leaves viewers engrossed from the first moment to the last.

The film's cinematography, helmed by Daniela Cajías, is exceptional and adds another layer of texture to its narrative. Her camera eye masterfully captures the muted colors, overview shots of Zaragoza, and contrast of freedom and confinement within the school premises. This enhances the narrative’s juxtaposition between adolescence and adulthood, tradition and change, rebellion and conformity. Adding to the visual appeal, the film’s meticulously chosen music enhances the narrative, playing as the unspoken voice of its characters.

In essence, Las Ninas is a film that revolves around the complexities of growing up in a time of changing societal values. It's an intimate portrayal of the journey of self-discovery that captures the myriad emotions of a young girl caught up in the crossfires of personal dreams and societal expectations. The film is a sight to behold, painting a memorable picture of Spain's past while exploring the universality of coming-of-age emotions.

It is a movie not just about a girl growing up, but also a nation coming of age. The debutant director does a remarkable job of interweaving the individual and collective journey of transformation, making Las Ninas a masterclass in filmmaking. Though set in a specific historical context, the film has an enduring relevance that resonates with audiences globally.