Hurdle

Hurdle is a compelling and thought-provoking documentary film that debuted in 2019. Directed by Michael Rowley, the movie boldly intertwines elements of sport, personal struggle, conflict, and hope, vividly capturing the resilience of youth in the face of political tumult.

Set against the backdrop of the Israeli-Palestinian conflict, Hurdle uses the physical and metaphorical significance of parkour and photography to address the simmering strife in the Middle East. The narrative unfolds primarily in two modern Palestinian cities, East Jerusalem and the West Bank, where the fear of mass violence, an antagonistic political climate, and restrictive physical borders dominate the lives of the citizens.

Anchoring the storyline are the protagonists Sami and Mohammad. Sami, an unyielding parkour coach in East Jerusalem teaches Palestinian teens to vault over walls, using parkour to overcome the physical barriers and emotional anxieties installed by the tense political environment. Meanwhile, Mohammad, a budding photographer from the city of Hebron, equips the next generation with the power and perspective of the camera to capture moments of everyday life and resistance. For both of them, their passion is not just a personal pursuit but also their contribution to inspiring their community to transcend limitations.

The documentary paints a unique blend of athleticism and artistic expression used as creative methods to cope with the world that surrounds them. Parkour becomes a potent metaphor and tool of freedom in the film, a physical, direct challenge to oppression. The powerful, almost balletic movement of the parkour artists across the tough urban landscape and the growing passion for mastering this art form are inspirational hallmarks of the film.

In contrast, Mohammad's photographic engagement is a different kind of rebellion. It allows him, and those he teaches, to touch people beyond the physical barriers of their lives. Here, the act of photography is not just about capturing the moments, but about creating an understanding and bridging the gap between two worlds, offering a pressing dialogue about freedom and identity.

Hurdle shies away from political bias, choosing instead to show the indomitable spirit of two young men who turn their personal resistance into a form of cultural expression. That's not to say that the movie ignores the harsh realities of these young people's lives. The threat of violence and conflict often provides a grim backdrop to their endeavours. But the narrative stays focused on the celebration of human resilience, courage, and creativity set in motion to confront unfathomable adversities.

Indeed, aside from its poignant narrative, the film is also a visual treat. The cinematography by Andrew Davis and Christopher Tovo is stunning, so beautifully stark yet simultaneously full of life. Every frame seems carefully chosen to depict a sense of hope amid the hardships. It's an extraordinary portrayal of the gritty beauty of these cities and their inhabitants, showcasing a part of the world that often gets painted with broad, simplistic strokes.

Hurdle is a strong testament to the power of the human spirit and creativity in the face of relentless obstacles and conflict. It is a monumental achievement, a must-see film for anyone interested in the collision of politics, culture, youth, and art. It doesn't aim to provide political solutions or explore historical causes of the issue in focus. Instead, it gives a voice to a pair of young souls using their talent and courage to overcome, to create, and to inspire. This is the core that makes Hurdle a film that resonates deeply and stands out among the rest.