Come On, Rangers

Come On, Rangers is a 1938 western film directed by Joseph Kane, featuring the talents of Roy Rogers, Lynne Roberts, and Raymond Hatton. As a quintessential narrative of the golden era of the American West, with thrills, adventure, and plenty of action, this production provides remarkable insights into the time when the rules were made by those with the quickest gun hand.

Roy Rogers demonstrates his charismatic screen presence and fine singing voice as he takes on the role of Roy Rogers, a Texas Ranger. Known for his riding, shooting, and singing skills, Rogers was one of Republic Picture's most popular and enduring western stars, and his performance in Come On, Rangers does not disappoint.

The film opens with the disbanding of the Texas Rangers following the U.S. Civil War in the late 1860s, precisely at a time of great political turmoil in post-war Texas. Roy and his fellow Rangers are forced to turn in their badges, which leads to lawlessness in the state. Undeterred, Roy keeps his old uniform and continues to uphold justice in his distinctive style, proving that the spirit of the Rangers never dies.

Rogers' character's earnest depiction of bravery and a strong sense of justice gives depth to the movie while the robust storyline keeps the audience glued to their seats. His singing further adds a unique and lively atmosphere to the narrative that sets the film apart from the usual old-time western fares and makes this film a remarkable addition to the genre.

Lynne Roberts, featured as the film's leading lady, provides a memorable performance as Jean, a young woman with connections to the troublesome gang stirring up trouble in Texas. Known for her roles in other western films and her chemistry with Rogers, Roberts adds nuanced glamour and depth to her character in the film. The movie features Ray Corrigan as one of the Rangers and Raymond Hatton as a comedic sidekick, both of whom inject a healthy dose of humor and create an enjoyable dynamic with Rogers, rounding out the ensemble and livening up the narrative.

The film is filled with visually stunning riding sequences, creative tracking shots, and gripping gunfights, creating a riveting cinematic experience that effectively transports viewers back to the wild west. The cinematography shines in the way it captures the vast landscapes and genuine action scenes, adding to the overall robust aesthetic of the film.

Moreover, the production values are commendable for their time. The filming locations, set designs, and costumes all reflect the detailed authenticity that gives the movie an immersive quality, drawing in the audience into the perilous world of Texas during this tumultuous period.

The film's narrative is further enriched with themes of camaraderie, loyalty, and the quintessential fight of good versus evil. The determination exhibited by Rogers and his fellow former Rangers as they strive to preserve law and order, even when the cards seem stacked against them, provides the heart of the plot and presents a stirring homage to the resilience of the human spirit.

In addition to its dramatic plot, the film is punctuated with musical interludes—a characteristic feature of Rogers' films—where he serenades with his soothing voice and strums his guitar, enchanting the spectator and further enhancing the charm of the movie.

Overall, Come On, Rangers is much more than just an action movie. It blends conventional western excitement with the allure of musical performances and humor, successfully establishing an engaging and entertaining experience throughout. It offers plenty of fast-paced action, impressive stunts, and beautiful cinematography that make it a unique standout in the western genre. The performances of the cast, particularly Rogers, Roberts, and Hatton, are noteworthy, anchoring the film with their charisma and talent.

This Republic Pictures film is an enduring testament to life in the old west, providing an intriguing blend of action, adventure, romance, and music. It evokes a nostalgic sense of history filled with danger, drama, and heroism, making it a must-watch for fans of golden-age westerns.