It is 1886 in South Dakota, and Harrius, a 70-year old wounded wanderer, seeks redemption. Through her encounters with a parched landscape and beings both physical and metaphysical (including a virtual labyrinth of mounds, geisha dancers and her pious lace-maker double, Alma), Proud Flesh is no mere re-visioning of the American Western. It is a meditation on the iconography and gestures contained within the genre itself.