Park Chan-wook's Vengeance Trilogy Trailer

It seems there is a misunderstanding in the prompt. Park Chan-wook's Vengeance Trilogy does not have a movie named "Trailer." Instead, the Vengeance Trilogy is a series of three unrelated movies linked by their exploration of revenge, violence and salvation. Directed by the renowned South Korean filmmaker, Park Chan-wook, the trilogy includes "Sympathy for Mr. Vengeance" (2002), "Oldboy" (2003), and "Lady Vengeance" (2005).

Given that there's no stand-alone trailer for all three movies together, it's not possible to describe a combined Vengeance Trilogy Trailer. However, to give you a sense of the themes and visual style present in these films, an imagined combined trailer can be described.

The trailer opens with a quick brushstroke of Park Chan-wook's visionary storytelling, introducing us to the dark and violent world of the Vengeance Trilogy. The atmospheric strains of a haunting score set the tone effectively, cloaked in an ominous sense of dread that looms over all three narratives. Our senses are continually tormented with quick, abrupt bursts of violence capturing the ferocity of the trilogy's theme – vengeance.

The first flashes introduce us to "Sympathy for Mr. Vengeance," where the audience gets glimpses of the desperately tragic tale of a deaf-mute protagonist. His quest for saving his ailing sister swings between stark, heart-wrenching scenes of sacrifice, and shocking, chilling acts of retribution that seem eerily contained and silent due to his disability. This gives way to somber, grim urban landscapes that mirror his desolation and plight.

The trailer swiftly segues into the world of "Oldboy," the most internationally recognized film in the trilogy. Audiences are greeted with intense, claustrophobic scenes that hint at the protagonist's 15 years of mysterious imprisonment. Quick cuts reveal a man desperate to understand who stole his life and why, teetering on the brink of sanity. Highlighting the movie's iconic corridor fight scene, the trailer showcases a blend of visceral, almost balletic violence with an emotionally jarring narrative.

The final part of the trailer belongs to "Lady Vengeance," the trilogy's finale. Through elegantly composed shots, it introduces the protagonist—a woman recently released from prison and hell-bent on revenge. The striking image of her in blood-red eyeshadow, a symbol of her violent intent, dominates the visuals. The trailer encapsulates her chillingly calm quest to avenge the wrongs committed against her and others, underscored by the faint strains of children’s lullabies which inject an even deeper sense of unease.

Throughout this imagined trailer, the blend of Park Chan-wook's signature filmmaking elements becomes apparent. His unique aesthetic style—marked by a highly controlled, vibrant, and occasionally surreal color palette—paints a myriad of emotions through the scenes. Artful symmetries, painstaking detailing, and unconventional compositions are equally prominent, underscoring the trilogy's eerie, unsettling beauty amidst its exploration of revenge, redemption, and the darkest facets of the human psyche.

Moreover, the tantalizing glimpses into the heartbreaking narratives of the three antics stir curiosity and empathy. The protagonists' despair, anger, and determination for vengeance, met with their individual predicaments, offer a glance into the pulsating, painful heart of each movie.

Finally, returning to silence, the trailer wraps with the title of the trilogy, "Vengeance Trilogy," driven by Park Chan-wook, splashed across the screen. It's a fitting end, leaving viewers struck by the harsh realities of vengeance and the consequential endless cycle of violence, emphasizing the cost each character has to pay and reminding us about the ironies of fate.

In conclusion, creating a single trailer incorporating elements of the Vengeance Trilogy would remain true to the recurrent themes of revenge, violence, and salvation that resonate across the three films. It would provide an enticing lens into Park Chan-wook's unorthodox storytelling and the grim, yet captivating world he has crafted in these works where there is a beautiful blend of agony and art.