Mimosas

Mimosas, released in 2016, is an visually striking arthouse film that masterfully transcends the conventional boundaries of narrative cinema, emerging as an intriguing blend of drama, western allure and spiritual exploration. Directed by Oliver Laxe, the film has an international cast that includes Ahmed Hammoud, Shakib Ben Omar, and Said Aagli. Winner of the top prize in the International Critics' Week section at the 2016 Cannes Film Festival, Mimosas is lauded for its evocative cinematography and unique storytelling style.

Set against the expansive landscapes of North Africa, specifically the Moroccan Atlas Mountains, Mimosas centers around a voyage that splinters the boundary between the physical and spiritual worlds. The plot is instigated by a dying Sheikh who desires to be buried in the city where he was born. This arduous journey, laden with manifold uncertainties, unfolds under the watchful eyes of two self-professed holy men: Said (Said Aagli) and Ahmed (Ahmed Hammoud). Subsequently, they are joined by a dubious, outcast character Shakib (Shakib Ben Omar) who is appointed by the caravan leaders to assist them on their mission.

While the film can be simply described as a mission to carry out a man’s last wish, it's far more layered and evocative, grappling with existential themes of faith, destiny, and the fleeting nature of life. Each character possesses their distinct spiritual journeys, their personal visions of faith and identity, and their interpretations of the 'right path'. Strikingly, the timeframe of the narrative is deliberately obscured – blending the contemporary with the historic to construct a timeless exploration of faith.

Director Oliver Laxe paints this epic journey with a golden-hued, captivating aesthetic. His dexterous use of the natural landscape as a character itself makes the viewing experience quite immersive. The breathtaking cinematography by Mauro Herce navigates us through the arid deserts, rugged mountains, and misty valleys of Morocco, whereby the external voyage mirrors the characters' internal, spiritual journeys. The beauty and harshness of the landscape reflect the struggle and solitude encountered by the characters.

The performances are commendable, with Hammoud, Omar, and Aagli delivering intricate, profound portrayals of their complex characters. They manage to embody the internal conflicts and spiritual dilemmas faced by their roles, resulting in subtle yet powerhouse performances. Ahmed Hammoud is engaging as Ahmed, a man seeking redemption and grappling with his beliefs. Shakib Ben Omar stands out as the naive outsider thrust into a journey of self-discovery, while Said Aagli resonates as the devoted follower struggling with his faith.

The film's pace is deliberately slow and meditative, inviting viewers to immerse themselves in the journey and the rich, enigmatic world Laxe creates. Each frame is meticulously crafted, backed by a minimalist dialogue and a haunting score, which dovetails perfectly with the atmospheric, visual storytelling.

Mimosas also signifies a bold step in North African cinema. It successfully merges Western movie characteristics with elements of Sufi mysticism and folklore, creating something distinct and truly enchanting. Laxe's decision to use non-professional actors and locals lends a raw, real nuance to the narrative and heightens the film's universal appeal.

In conclusion, Mimosas is an intense spiritual journey cloaked in the guise of a road movie. It boasts an array of strengths - the intriguing narrative that transcends time and space, the visually stunning cinematography, and the nuanced performances of its lead protagonists. While the film's spiritual and philosophical underpinnings may not cater to everyone's preference or understanding, Mimosas is undoubtedly a remarkable and ambitious piece of global cinema that will resonate with those willing to embark on this metaphorical, transformative journey. It's not just a film, it's a contemplative, cinematic pilgrimage.