Great Music of the 20th Century

Finally, as a firsthand, contemporary account of one composer's life in music, Professor Greenberg discusses his own professional journey. Trace his performing arts family background, his musical education, career path, and the finding of his voice as a composer.

The 20th century ended with a trend toward "pluralism" - the practice of employing a range of different musical languages within a single work or movement. Witness the incredible range of this musical inclusivity and synthesis in composers ranging from the Americans Joseph Schwantner, Martin Bresnick, Aaron Jay Kernis, and Jennifer Higdon to the British composer Thomas Adès.

Postmodernism in music represented both a return to the musical values of Romanticism and an amalgam of diverse musical influences. Investigate the music of George Rochberg and David del Tredici, both of whom embraced musical styles from the past.

Cover global ground in this lecture, which looks at important 20th-century composers outside of the European/American orbit. Hear the fusion of Asian and Western traditions in the music of Tōru Takemitsu (Japan), Isang Yun (Korea), Chinery Ung (Cambodia), and Tan Dun (China).

In approaching minimalism, trace the development of rock 'n' roll, and its integral impact on both American musical culture and 20th-century concert music. Grasp the musical ethos of minimalism - its rhythmic pulse, cyclical patterning and melodies, and hypnotic drive - through the groundbreaking works of the "triumvirate" of the style: Terry Riley, Steve Reich, and Philip Glass.

The cultural environment of California produced some of the most original musical thinkers of the 20th century. First encounter Henry Cowell and Lou Harrison, composers of astonishing eclecticism whose works incorporated non-Western musical forms.

Discover the music of visionary composers who turned away from Serialism and Ultraserialism, beginning with Hans Werner Henze and Luigi Nono. Assess the place of postwar Ultraserialism, and the factors that led many to reject it.

Delve into the singular aesthetic philosophy behind Stravinsky's neoclassic music, in which he describes his compositional process as purely formal and objective. Learn about Stravinsky's relocation to the United States, and how in his seventies he turned to writing 12-tone music.

Trace Schoenberg's period of great creative output and professional flowering in the late 1920s - years which coincided with the rise of Adolf Hitler and the Nazi party in Germany. Following Schoenberg's self-exile to the United States, take note of his efforts on behalf of European Jews, and study two war-inspired masterworks; his Ode to Napoleon Buonaparte and A Survivor from Warsaw.

Learn how the advent of musical synthesizers and the tape recorder gave rise to both electronic music (using sounds created electronically) and musique concrète (manipulating real sounds with a tape recorder). Witness how Ultraserialism developed within Europe, leading paradoxically to hyper-complex music which in performance sounded random - a fatal problem for listener comprehension.

Following the horrors of World War II, note how many composers sought to create music that was purged of the past, based in intellectual and scientific rigor. Investigate Ultraserialism, a compositional system in which nearly every musical element is organized "serially," as musical pitch is in the 12-Tone Method.

The composers under discussion here were nonconformists whose works stand virtually as separate genres of music. Begin with celebrated individualist Charles Ives, and his programmatic masterwork, Three Places in New England.

This lecture explores the rich diversity of American vernacular music, as it influenced and inspired American composers. Take account of the integral impact on America of West African musical forms, and their role in the development of blues, ragtime, and jazz.

Learn about Bartok's early life and career as a pianist, and the imprint of Hungarian nationalism on his composing. Follow his remarkable travels, collecting and preserving indigenous folk music across Central and Eastern Europe.

In 1925, Schoenberg developed a compositional system that would dominate Western concert music for 50 years. Study the elements of his "12-Tone Method," based in the use of a "tone row" where all 12 musical pitches are used in a pre-determined sequence.

The 1920s saw both an explosion of new compositional languages and a conservative backlash against modernism. Follow the fortunes of Stravinsky, as he created a new ballet score for Diaghilev, incorporating themes from the Baroque composer Pergolesi.

Here, take the measure of the Viennese triumvirate of Schoenberg and his students Alban Berg and Anton Webern, who advanced a historically new, non-tonal music. Delve into the most representative work of this era, Schoenberg's song cycle Pierrot Lunaire, and experience Schoenberg's stunning compositional language.

Learn about Schoenberg's friendship with Gustav Mahler, who defended Schoenberg's groundbreaking compositions. Study Schoenberg's remarkable metamorphosis in which he sought to free melody from the limits of functional tonality, as exemplified in his Six Little Pieces for Piano.

Schoenberg was both substantially misunderstood as a composer, and one of the greatest influences on 20th-century music. Learn about the enormous enmity and dissent that greeted his compositions, as they challenged tradition and offended musical conservatism.

Relive The Rite of Spring's riotous premiere, and examine the qualities that made it the most influential musical work of the 20th century. Observe how Stravinsky evoked ancient pagan rituals through stunning rhythmic asymmetry, bi-tonal harmony, and other daring compositional techniques.

In the first of two lectures on this giant of 20th-century music, trace the early life of Stravinsky, the environment in which he grew to maturity, and his musical education and influences. Follow Stravinsky's relationship with the impresario Sergei Diaghilev, their legendary partnership in the ballets The Firebird and Petrushka, and grasp the striking musical originality of those works.

Investigate the qualities of Debussy's music that connect it to French art and poetry as well as to the sensuality of the French language. Learn how his landmark work, Prelude to the Afternoon of a Faun, began musical modernism.

Examine historical and social factors that influenced 20th-century composers' abandonment of tradition and obsession with originality. Then learn about the influence of 19th-century German art on the French, and the new French nationalism in music that followed the Franco-Prussian War.

Look first at the goals of this course, as it will explore the trends in 20th-century concert music, and the historical issues and events that shaped them. As background, delve into the history of musical notation, and take account of the upheavals, political and social catastrophes, and paradigm shifts that affected music in the 20th century.