Who Took The Bomp? Le Tigre on Tour

Who Took The Bomp? Le Tigre on Tour is a distinctive music documentary released in 2010, that offers an entertaining and introspective look into the journey of the popular feminist electronic punk band, Le Tigre, as they embarked on their international tour in 2004-2005. Directed by Kerthy Fix, this intriguing film documents the highs and lows, fun and frenzy, ecstasy and exhaustion of rocking life on the road, and is underlined by the band's precise commitment to their music, performance, and staunch feminist ideologies.

The film's primary focus is on the band's three members - Johanna Fateman, Kathleen Hanna, and Jocelyn Samson. Allotted almost equal screen time, they are depicted not just as performers but as real people with real thoughts, fears, and aspirations. Their off-stage antics, backstage discussions and in-transit slices of life provide a personal look into their identities as artists and individuals. Their defiance of stereotypical norms shakes the traditional perception of a girl band, making this film a valuable depiction of female empowerment and expression.

Johanna Fateman, known for her radical feminist views and captivating lyrical prose, brings substance to the band's every performance. Meanwhile, Kathleen Hanna, the band's lead vocalist, adds a rebellious yet endearing charm with her volatile stage presence and charismatic persona. Jocelyn Samson, the band's third member, adds another level of depth to Le Tigre's music with her prowess on the guitar.

Who Took The Bomp? Le Tigre on Tour refrains from being a mere event archive. Instead, it approaches a narrative style by depicting the artists' interpersonal dynamics, their viewpoints on various issues, and the overarching ethos that guides their music. One can see glimpses of their relentless attitude towards sexism, homophobia, and other societal shortcomings through their music and through explicit and implicit expressions during their tour. The thematic exploration of life on tour and the personal ideologies of the band members facilitate a deeper understanding and appreciation for their music and political beliefs.

A defining element of the film is the powerful live concert footage that strategically punctuates the narrative. Electric performances by the band on global stages bring vividly to life their electrifying musical style - a compelling collage of punk, electronic music and feminist lyrical themes. The engaging performances of popular hits such as 'Deceptacon,' 'TKO,' and 'On the Verge' form the rhythmic backbone of the film. These well-edited performance footages not only create a sense of being present at the gig but also visually amplify the band's audio-visual appeal.

Le Tigre's tour takes them to many parts of the world, including America, Europe, and Asia, and the documentary captures these varying cultural landscapes and audience responses, adding another layer to the narrative. Interviews with ardent fans and onlookers, some praising the band and few criticizing, provide an external perspective on the band and their music, creating a balanced commentary.

In addition to the band's journey, the film also delves into historical aspects of the band members' lives. Through confessional interviews and candid chats, the viewers get a glimpse into Kathleen Hanna's Riot Grrrl past, Johanna Fateman's zine-writing days, and Jocelyn Samson's initial rendezvous with music. This exploration of their past adds a historical context to the contemporary narrative. The seamless integration of the past and the present aids in comprehending the distinguishing journey the band has traversed, creating their unique niche in feminist punk music.

The cinematography and editing of the film deserve a special mention too. The director's versatile use of a handheld camera creates a sense of immediacy and intimacy, allowing viewers to experience the band’s performances up-close and their candid moments off-stage. The film's editing mirrors the band's energetic vibe, blending concert footages, backstage scenarios, conversations, and fan interactions into a dynamic montage that keeps viewers engaged throughout.

In summation, Who Took The Bomp? Le Tigre on Tour is not just a music documentary but a sociopolitical commentary driven by searing music, distinct personalities, and feminist ideologies at its core. Whether you are a fan of Le Tigre or simply intrigued by trailblazing women in music, this film offers a firsthand access to an engaging journey of three women who aren't afraid to be audibly loud, visibly queer, and unflinchingly feminist. The collective message that echoes throughout the film, similar to the band's philosophy, is that it is okay to be different - a refreshing reminder in today’s conformist music industry landscape.