Until the Light Takes Us

Until the Light Takes Us is a captivating documentary film from 2008 directed by Audrey Ewell and Aaron Aites. Set against the backdrop of the pristine snow-clad landscapes of Norway, the film delves into the subculture and eventful saga of Norwegian black metal, a musical genre whipped into notoriety due to its connection with church burnings, murder, and other violent incidents in the early to mid-1990s.

This powerful film provides spectators with a first-hand account from the key personalities themselves, most notably Fenriz, Varg Vikernes, and Euronymous. The trio was instrumental in the formation and evolution of the black metal scene. Their personal insight adds authenticity to the narrative of the documentary, capturing not only the passion for extreme metal but also the destructive mayhem that famously underscored the scene.

Until the Light Takes Us uncovers the story of Fenriz, the rather eccentric yet compelling co-founder and the sole constant member of the black metal band known as Darkthrone. His anecdotes give viewers an insightful look into the origins and inspirations of Norwegian black metal, not shying away from its darker aspects, but rather attempting to clarify misconceptions that have become synonymous with the genre. With an almost unflinchingly direct approach, Fenriz explores the sociocultural influence of black metal and delivers a personal critique of its present state.

On the other side of the story, we meet Varg Vikernes, another key figure in the black metal scene, perhaps best known for his infamous criminal record and his role in criminal activities associated with church burnings and murder. From prison, he delivers a chilling recount of his perspective of events and his motivations. Vikernes also discusses his band Burzum and its importance to the music scene, addressing in part his ideological relationship with pseudo-fascist and neo-pagan belief systems, themes that are often encountered within the lyrics and imagery of black metal.

Euronymous, the late guitarist of Mayhem, provides a haunting presence throughout the film. Although unable to contribute due to his untimely death years before the filming, snippets of older interviews, archival footage, and photographs interspersed with anecdotes from other contributors ensure his role as a founder and catalyst of Norwegian black metal is accurately represented. His presence is felt, contributing significantly to the story.

Beyond these central figures, the documentary also elaborates upon a host of other personalities and bands that influenced the directions, sounds, and aesthetics of the black metal milieu. This includes interviews featuring the likes of Hellhammer (Mayhem), Frost (Satyricon), and many others, painting an immersive and comprehensive portrait of the scene.

Filmed over two years, Until the Light Takes Us gains credibility from its immersive focus on the key protagonists and its readiness to showcase their perspectives, almost verbatim. It is a film that does not sanction or glorify the violent actions associated with the black metal scene, but rather it endeavors to present, unbiased, the views and experiences of those involved. The narrative is often underscored by a troubling tension, reflecting the divisive nature of this music scene.

The movie's aesthetic is remarkably cold and haunting, mirroring the ambiance associated with black metal music. Using the contrasting visuals of snow-covered Norwegian landscapes to somewhat metaphorically mirror the cold bleakness of black metal was indeed a masterstroke. Coupled with the themes of entropy woven throughout, the film’s pacing and visual style invites you to experience the stories in layers.

Until the Light Takes Us, therefore, is more than just a documentary about black metal. It's a study of counterculture, exploring the mortal fringes of artistic expression, the extremities of individualism, and the inevitable consequence of unchecked passion. It's a unique exploration of a movement that was as much about music as it was about seeking an identity outside of mainstream society. For those interested in delving into the realm of black metal, this film is undoubtedly a must-watch. For other viewers, it offers a fascinating insight into an extreme cultural phenomenon that caused ripples far beyond the confines of a small, snowbound Scandinavian country.