The Meeting Place Cannot Be Changed

The Meeting Place Cannot Be Changed is a classic Soviet television mini-series directed by Stanislav Govorukhin and released in 1979. Based on the novel “The Era of Mercy” by Arkady and Georgy Vayner, this five-part crime drama captures the post-World War II atmosphere in Moscow and showcases the relentless fight against rampant criminal activity during that era. The series stars some of the most celebrated actors of Soviet cinema, such as Vladimir Vysotsky, Vladimir Konkin, Zinovi Gerdt, and Armen Dzhigarkhanyan, among others.

Set in the late 1940s, after the victory over Nazi Germany, the movie delves into the tumultuous period of reconstruction and the battle against rising criminality that ensued. The narrative gravitates around Vladimir Sharapov, portrayed by Vladimir Konkin, a young, idealistic lieutenant who has recently become a member of the Moscow Criminal Investigation Division (MUR). Alongside his seasoned and cynical partner, Captain Gleb Zheglov played by the iconic Russian singer-songwriter and actor, Vladimir Vysotsky, Sharapov embarks on the arduous quest to maintain law and order in a challenged and weary society.

Captain Zheglov is a man shaped by harsh times, a tough and unorthodox investigator who believes that "a thief must be in jail, no matter how." His methods contrast sharply with those of the principled and morally upright Sharapov, who is committed to the rule of law and the fair treatment of suspects. This dichotomy between the characters forms the central pillar of the narrative, as their differing approaches to justice and investigatory work set up the tension that drives the series forward.

The plot is centered around the hunt for a ruthless and slippery criminal gang known as the "Black Cat," which has been terrorizing the citizens of Moscow with a series of daring robberies and violent acts. As Sharapov and Zheglov delve deeper into the criminal underworld, the drama unfolds, intertwining vivid character studies with the reality of post-war society, dealing with themes of honor, loyalty, corruption, and redemption.

Each episode builds on the preceding one, deepening the viewer's understanding of the characters' backstories and their motivations. Zinovi Gerdt delivers a notable performance as Colonel Erast Fandorin, the head of the Criminal Investigation Division, who is both an ally and a mentor to the two lead characters as they navigate the intricate world of law enforcement and politics.

Armen Dzhigarkhanyan excels in his portrayal of the criminal mastermind responsible for the Black Cat's activities. His shrewd and calculated character stands as a formidable adversary, pushing Sharapov and Zheglov to their limits, and setting up an intricate game of cat and mouse that captivates the audience throughout the series.

The Meeting Place Cannot Be Changed is revered for its atmospheric portrayal of the era, with meticulous set designs, authentic costumes, and a somber score that enhances the cinematic experience. It is a rich tapestry of social commentary and dramatic intrigue, weaving together the despair and hope of a nation rising from the ashes of war, and the personal struggles of individuals seeking justice in a morally complex world.

Vysotsky's Zheglov became an emblematic figure in Soviet pop culture, his gravely voice and signature fedora becoming synonymous with the steely, unyielding face of Soviet law enforcement. Meanwhile, Konkin's Sharapov provided the moral compass and youthful idealism that contrasted with his partner's hardened pragmatism. Their dynamic relationship forms the emotional core of the series, engaging viewers in their intellectual debates and confrontations.

The film's direction by Govorukhin is notable for its cinematic style that brings a stark, film-noir quality to the television screen. The use of shadow and light, the camera work, and the selection of shot compositions contribute to a mood of intensity and suspense that is sustained throughout the series.

Govorukhin does not shy away from probing the societal issues of the time. The storylines address the difficulties faced by returning veterans, the bureaucracy of the Soviet system, and the lingering effects of the war on the psychic landscape of the nation. These themes resonate through the investigation carried out by the two protagonists, as they become entangled with a cast of nuanced and multifaceted characters, each battling their own demons and pasts.

The Meeting Place Cannot Be Changed is a thought-provoking, complex piece of television history that goes beyond the boundaries of a conventional crime drama. It offers a window into a specific moment in Soviet history and culture, while exploring timeless themes that continue to be relevant. It's a story of humanity's struggle against the darker elements within society and within itself, told with depth, wit, and an unwavering moral core. The series is fondly remembered and continues to be impactful for viewers who appreciate its historical depth, psychological complexity, and its evocative depiction of the relentless pursuit of justice.