An extremely rare film from C.L. Chester Productions. The very wealthy and now unfortunately dead Mr. P. Nutt, in revenge for having his brother call him "a crazy inventor," makes his niece his heiress but only on the condition she marry a genius whom the world calls crazy. Habeas & Corpus, attorneys for the deceased, place a personal ad in the newspaper looking for potential suitors. A long line of possible husbands vie for the hand of the lovely Miss Hazel Nutt, each one kookier than the other. This film features actors performing in blackface. Fandor does not condone racist stereotyping, but blackface is nonetheless a significant aspect of American history in general and film history specifically. Early cinema was deeply rooted in vaudeville, where blackface was a popular staple. As film critic Ty Burr wrote in a recent assessment of Al Jolson's THE JAZZ SINGER, "Minstrelsy was the then-accepted cultural mechanism by which the governing white culture could appropriate and tame v