"Making Time" is a thought-provoking, cinematic exploration of time travel with a heavy dose of romance. Released in 2020, this film is directed by Grant Pichla who artfully blends elements of science fiction, romance, and comedy to stir rich emotions in viewers. Neatly crafted, the movie uses an unconventional setting to create a memorable encounter with time travel and its consequences.

The plot of "Making Time" revolves around Nick, the protagonist played by Mason Heidger. Nick is a hardworking, somewhat introverted and dedicated scientist who has just made the most profound discovery of his life — a time machine. Yet amidst his remarkable accomplishment, his life seems to lack something. He’s got an unfulfilling job and his interpersonal relationships are non-existent. These personal struggles display Nick’s vulnerability, making him an easily relatable character to the audience.

After successfully testing his invention, Nick decides to use the time machine for a very personal mission. He wants to make things right with his ex-girlfriend and coworker, Jess played by Tori Titmas. Jess is a strong character full of life, but she's brokenhearted after their failed relationship. She's moved on and is with another man, leaving Nick yearning for another chance. Juxtaposing these characters against the backdrop of the highly ambitious project of time travel creates a gripping narrative that seamlessly weaves together the complexities of relationships with the enigma of time travel.

"Making Time" takes a refreshing approach to the classic time travel trope. Instead of focusing on the extraordinary consequences of meddling with time like changing world events, it zeroes in on ordinary life, the possibility of relationships, and personal growth. It navigates the maze of “what if” complex, showing the human capacity to make choices, make mistakes, and most importantly, make amends. This grounding in realism elevates it from just another sci-fi movie to a human drama that artfully tackles matters of the heart.

The clever script sprinkles humor throughout, lightening the mood and creating a balance to the profound themes explored. Despite its sci-fi premise, it does not bombard viewers with technical jargon, rather it focuses on the emotional journey of the characters, making it accessible for all types of viewers. "Making Time" also features excellent performances from its cast, particularly the leads Heidger and Titmas. Their authentic performances lend credibility to their characters and intensify viewer's engagement.

Visually, "Making Time" is a treat. With modest resources, director Grant Pichla succeeds in creating a time machine that is believable yet doesn't overshadow the main storyline. The film features a beautiful palette of colors that adds to its visual allure. The cinematography aids the storytelling by carefully framing the two main characters in an array of interesting environments, further immersing the viewer into the storyline.

However, "Making Time" isn’t all about the complexity of time travel. It skillfully uses time travel as a story vehicle to explore relationships, second chances, and the universal human desire to correct the past. It directly challenges viewers to ponder upon their own lives, asking if they'd take the chance to travel back in time, what they'd alter.

This effortlessly cool hybrid of science fiction and romance remains focused on its characters rather than the gadgetry of time travel. With a fluid pace, the narrative keeps viewers hooked until the end. "Making Time" concludes with a poignant yet satisfying ending, giving audiences much to think about long after the credits roll.

To sum it up, "Making Time" is an engaging cinematic piece that offers a refreshing take on time travel by centering it on everyday people and their emotions. It's a gentle, heartfelt, and bittersweet tale that leverages the science fiction genre to explore human emotions and relationships in a new and thoughtful way. This makes the film a must-see for sci-fi fans and those who enjoy a good love story alike.