Just One Time

Just One Time is a provocative and interesting comedy that came out in 1998, starring Lane Janger, who also directs the movie, Joelle Carter and Guillermo Diaz. Steeped in suspense and tinged with humor, this film is a considerable contribution to the late 90’s independent cinema, advocating for love, exploration, and acceptance while challenging traditional seuxal and societal norms.

The film kicks off by introducing the audience to the primary characters, Anthony, played brilliantly by Lane Janger, and his fiancé, Amy, portrayed by the talented Joelle Carter. They are a deeply in love, somewhat unconventional, New York couple. Anthony, a firefighter, is the traditional alpha male with a twist – he harbors the fantasy of a menage a trois with his partner and another man. After convincing a hesitant Amy to engage in this unique experience, she proposes a similar arrangement but with a woman, turning the tables on Anthony. What ensues is a delightful, and at times discomforting, exploration of sexual expression, boundaries, and the true meaning of love.

Guillermo Diaz, known for his roles in Scandal and Weeds, plays the role of Victor, a downstairs neighbor and gay police officer who becomes an unlikely participant in the couple’s shenanigans. His character amplifies the humor and adds a dynamic, third-wheel energy that balances the couple's neurotic quest.

Janger first presented his concept for Just One Time in a 13-minute short film which gained notoriety at several film festivals, provided the promise of what was later to be turned into this full-length feature. It is engrossing to find Janger wear the dual hats of director and lead actor with finesse, proving his talent and versatility. His portrayal of Anthony's character is in the vein of a typical New Yorker – brash, straightforward, but lovable.

Joelle Carter's performance as Amy is impressive too, as she maneuvers between commitment, a longing for adventure, and a desire to assert independence in a predominantly male scenario. The manner in which she battles fears, both of commitment and stigma, make for a relatable portrayal. She is simultaneously strong and vulnerable, creating a character that is authentic and compelling.

The dialogue in Just One Time is clever and filled with a light humor that serves to disperse the tension that inherently comes with the film's sensitive subject matter. Scenes are often intimate and shot in a manner that focuses on the cast's facial expressions, allowing the audience to feel an almost palpable tension.

Racy and serious, hilarious and tragic, Just One Time oscillates between outrageous comedy and significant drama, making it a unique viewing experience. Furthermore, it addresses contentious issues with a sense of freshness that makes for an engaging narrative. It isn’t just about sexual fantasies or exploration but rather about understanding oneself, personal growth, and testing the limits of love and relationships.

Its shift from erotic humor to more profound sentiments ensures that the film isn’t classified as a regular rom-com or adult comedy. Its commentary and reflection on matters relating to sexuality, acceptance, commitment, and societal norms though discreetly layered into the narrative make it an important piece for anyone looking to delve into meaningful cinema.

Set in the backdrop of New York, the film also offers some urban chic charm. The art direction is pretty reflective of the late 90s – full of energy, wild, yet comfortable in its skin.

In conclusion, Just One Time is a film that’s more than its premise suggest. A bold take on sexual exploration, it touches on the boundaries of love and relationships and how they can be pushed and often stand strong. It’s hilarious at times, but it takes its parts of gravity with utmost sincerity. It's a thought-provoking movie that blends humor and drama seamlessly, creating a narrative that is as compelling as it is entertaining.