I'm Not Rappaport

I'm Not Rappaport is a 1996 American comedy-drama film that brings to life Herb Gardner's Tony award-winning play of the same name. Co-produced and directed by Gardner himself, the film presents a foray into the lives of two spirited seniors who refuse to succumb to the somber realities of aging. The captivating dialogues combined with the deftly orchestrated absurdity make this film a must-watch for those yearning for a warm-hearted meditation on life and friendship.

The film is predominantly starred by Walter Matthau, portraying Nat Moyer, and Ossie Davis playing Midge Carter. These characters resound to the voices of the society's forgotten members, the tested and yet surprisingly resilient elderly. Despite rotating mostly around this duo, the film fiestishly flaunts the commendable acting of Amy Irving, who plays Clara Gelber, and a handful of others, deftly supporting the plot.

Matthau's character Nat is an eccentric and relentless octogenarian who often employs tall tales to maintain his sense of identity and purpose in a rapidly changing world. Ever against the drudgery of old age and the morbid implications society places on such elderly, Moyer embodies defiance, choosing fantasy over reality to keep his character alive. Matthau puts forth a memorable performance, oscillating between jester-like optimism, vulnerability, and profundity, inviting both chuckles and lasting introspection from the audience.

Ossie Davis, on the other hand, is wonderfully compelling as Midge Carter, a near-blind building superintendent wrestling with forced retirement. Midge is the grounded half of the duo, often playing the 'straight man' to Matthau's joviality. However, his sense of humor, humility, and struggle with aging complement Nat's flamboyant rebelliousness and exuberance. Davis’s portrayal of Midge illuminates the less seen aspects of old age, beautifully addressing themes of invisibility and worth.

Amy Irving ably anchors the supporting performances as Clara, Nat's pragmatic daughter, who attempts to moderate her father's whimsical tendencies with a care born from love and concern. She provides the stern but tender familial interaction that contributes to the film's depth.

Set in the Central Park of New York, the park bench becomes a sort of stage for our charming lead characters. Their banter, reminiscent of good old-fashioned stage comedy, drives the film. Paired with the picturesque background, it gives the movie a theatrical aura, inviting the audience to partake in an intensely human experience.

The script, originally written for the stage, succeeds incisively in its transition to the big screen. Humor is effortlessly woven into the fabric of the narrative, even as it explores profound themes of aging, friendship, and human dignity. The words are poetic, often profound, and teetering on philosophical contemplation. Yet, the overall narrative never loses sight of its comedic undertones.

As the film unfurls, it touches upon themes such as society’s treatment of the elderly, economic exploitation, drug trade, among others. Simultaneously, the viewers are treated to an absorbing interplay between fantasy and reality, as the characters strive to grapple with their advancing age without losing their spirit.

Winner of the 1997 Audience Award at the Aspen Filmfest, I'm Not Rappaport is deserving of its distinction. Brief sporadic use of Yiddish adds another layer of charm to the screenplay, making it a richer multicultural experience. The soft jazz score by Gerry Mulligan lends the movie a tranquil, retrospective ambience, which subtly enhances the drama.

In all, the film promises a compelling mix of dry wit, insightful dialogue, and superb performances that hits all the right emotional chords. Matthau and Davis, two veterans of the acting world, come together seamlessly to deliver a humbling ode to friendship and age. Endearing and soulful, I'm Not Rappaport presents a quick-witted, poignant look into the struggles and triumphs of growing older with grace, dignity, and a little bit of rebellion. It's a movie that encourages viewers to appreciate the present, understand the inevitability of change, and above all, to never underestimate the enduring spirit of humanity, regardless of age.