Crossroads to Crime

Crossroads to Crime (1960) is a fascinating black-and-white British crime drama that showcases a gripping concoction of drama, crime, and thriller elements. Directed by the acclaimed Gerald Blake, the story is weaved intricately around the life of a small-town, conscientious PC, Don Ross, played by fiery-eyed Anthony Oliver.

Anthony Oliver, in the role of Don is a captivating character, whose main job is carrying out minor tasks like regulating traffic. His world, however, takes a surprising turn when he uncovers a truck hijacking scheme. Despite being a bit part in a bigger picture, his inner sense of responsibility doesn't permit him to ignore the ongoing criminal activities, leading him down a path, which earns the film its name "Crossroads to Crime.”

At one corner, Miriam Karlin delivers a sterling performance as Mrs. May, a pivotal character whose complex role plays a critical part in major plot developments. Her character brings a considerable depth to the narrative, complementing the lead character's determined purpose. On the other side, George Murcell, with his imposing personality, essays the role of a ruthless mob boss, Giuseppe Ugo, who is the mastermind behind all the criminal activities. His controlling nature and cold-blooded decisions make him a formidable antagonist, keeping the audience on the edge of their seats.

The subtle yet significant contribution of secondary characters like David Graham as Steve, the innocent lorry driver, and Ferdy Mayne as the cool-customer Carl, further raises the narrative's ante. Steve's character provides a poignant perspective on the victims of this dreadful crime ring, while Carl's imperturbable demeanor provides an intriguing contrast to the overall tension-filled narrative.

Aiding this ensemble cast is the plot that offers several nail-biting sequences. Paying special attention to the detail, the movie encapsulates a vista of 1960’s Britain, making it a visual delight for those who appreciate vintage cinema. It delves into the murky world of crime, displaying an uncanny ability to keep audiences constantly guessing, whilst still delivering action-packed scenes, certain to satisfy even the most discerning of film enthusiasts.

Director Gerald Blake lends his touch of brilliance to the film with his expressive storytelling. The storytelling ebbs and flows with tension-packed sequences and softer moments of revelation. At one point, there appears to be a calm moment that lulls the audience into a false sense of security before a sudden twist jolts them back to the edge-of-the-seat suspense.

The cinematography is also noteworthy, delivering some iconic frames that capture the essence of the 1960s in Britain with grim yet charismatic alleys, bustling streets, the quaint countryside, and the world inside a crime syndicate. The stark contrast between the humble life of the PC and the opportunist world of crime is portrayed brilliantly, leaving us no room to question the authenticity of the time and place.

The film also places a great emphasis on the human virtues of righteousness, resolve, and courage through the portrayal of Don Ross. His tough decisions, strategic maneuvers, heroism, and unwavering commitment to his duties add an emotional touch to the plot, making the film more than just an ordinary noir crime drama. Ross is not your typical action hero, but a man with flaws, internal struggles, and a firm believer in duty above all else.

Crossroads to Crime remains an underrated gem from the early 60s cinema. It has all the elements of a classic noir film: a gripping tale of corruption, a crime ring, a dogged protagonist, high stake sequences, unexpected twists, and top-notch performances. It would surely appeal to fans of British crime dramas and noir films. This film isn't just another crime drama, but a thrilling journey that takes audiences down the less-traveled path, leaving a lasting impression.