Man of the Century

Man of the Century, a delightful comedy film, is truly a hidden gem that came on screen in 1999. The film stars Gibson Frazier, Cara Buono, and Ian Edwards, who bring a charming and whimsical energy that captivates and delights viewers thoroughly.

The film revolves around an aspirational reporter named Johnny Twennies (played by Gibson Frazier) who, however, lives by the lifestyle and social cues of the 1920s, despite inhabiting in the turn of the 21st century. This juxtaposition generates a flood of hilarity and witty satire. But unlike other traditional comedies, the humor isn't merely for laughter; instead, it adds to the depths of characters, their interactions, and the film's storytelling.

Johnny Twennies uses words like "jazz," "swell," and "doll," delivering a performance that is a remarkable homage to old-timey slang. Even his style of reporting replicates that of the romanticised journalists of the Roaring Twenties. This refusal to adapt to the modern world makes Johnny a unique and quirky character, unlike anyone else we encounter in the film or, for that matter, in most films of the late 90s.

On the other hand, there’s Samantha Winter (portrayed by Cara Buono), an ambitious and contemporary woman, who, despite confounded by Johnny's anachronistic behavior, finds his charm irresistible and is attracted to his oddly respectable, old-fashioned gallantry. The chemistry between the two leads, Johnny and Samantha, is both funny and heartwarming, managing to win the hearts of the audience.

Ian Edwards features in the film as Timothy, Johnny's best friend, who gives the viewers an insight into Johnny's world. This character provides a contrast to Johnny's old-world charm and contrasts humorously with Johnny's refusal to accept contemporary standards and attires.

One of the major strengths of the movie is its successful recreation of the atmosphere of the 1920s. From Johnny's suits (always complete with a hat) to the Jazz music playing throughout the scenes, everything takes you back to the Prohibition Era. Indeed, the film doesn't stop there - it goes on to address the clash of this golden age spirit with the crass commerciality and unsparingly cynical mindset of the turn of the century.

The film's dialogue is sharp and fast-paced, reflecting the inspiration drawn from films of the 20s and 30s. The cinematographic choices, too, enhance this effect. Yet, despite its homage to an older era, the film does not shy away from using modern filmmaking techniques, creating a dynamic interplay between old and new styles.

Further, Man of the Century is known for its delightful cameos, featuring several well-known artists, like Dwight Ewell, Susan Egan, David Margulies, and Anthony Rapp, playing memorable and amusing roles, which add an extra depth to this fantastic film.

The director, Adam Abraham, and the star of the film, Gibson Frazier, also co-wrote the script, which tells a fantastic tale that is nicely paced, glittered with gems of humor, surprises, and a cascade of memorable characters. Their excellent script work and Abraham's direction bring out the best in the cast, effectively contrasting the discrete charm of a real-world character with a world that is inventively different from his own, and in doing so, they satirically critique modern culture.

Man of the Century is much more than your regular comedy adventure. It is an analysis of society, bringing about observations of culture clash from decade to decade. This film, with its unique plot, well-executed cinematic style, and outstanding performances from the leads, is indeed a fresh take on both comedy and period pieces. It is a salute to old-time classics, while also seamlessly preserving its modern appeal.

In conclusion, Man of the Century serves as a unique comedic ride that contrasts past and present with smart humor, infectious charm, and staged authenticity. It not only comments on societal changes, but it also tickles your funny bone, making it worth a watch for anyone appreciating a dose of spirited, well-crafted comedy intertwined with a critique of contemporary society.