An Almost Perfect Affair

An Almost Perfect Affair is a romantic comedy film that was released in 1979, directed by Michael Ritchie and written by Walter Bernstein. The movie stars Keith Carradine, Monica Vitti, and Raf Vallone, and is a playful romp through the glitz and glamour of the Cannes Film Festival, exploring themes of love, ambition, and the often-blurred line between art and commercialism in the film industry.

The story follows the escapades of a young, ambitious American independent filmmaker, Hal Raymond, played by Keith Carradine. Hal arrives at the Cannes Film Festival eager to showcase his new film and hopefully make a name for himself in the cinematic world. His film, however, is considered too artistic and not commercial enough, leaving him with little hope of finding a distributor and breaking into the mainstream market. Despite this initial setback, Hal is determined and optimistic, ready to network and wheel and deal his way to success.

Monica Vitti plays Maria Barone, an elegant, sophisticated Italian woman married to a wealthy, older film producer, Federico 'Rico' Barone, portrayed by Raf Vallone. Maria's marriage to Rico appears stable on the surface, but it is clear that she longs for something more meaningful and exciting in her life. She meets Hal by chance, and the two strike up a friendship that quickly evolves into a passionate affair. This liaison becomes the emotional core of the film, as both characters find in each other the excitement and fulfillment that they've been seeking.

The setting of the Cannes Film Festival is a character in itself within the film. The festival's unique blend of artistic ambition and commercial hustle provides a backdrop that is both vibrant and cutthroat. The beauty and luxury of the French Riviera play in stark contrast to the deal-making and competitive nature of the film industry professionals gathered from across the globe.

As Hal and Maria's affair blossoms amidst the festival's chaos, the two navigate the complexities of their own wants and needs. Hal is torn between his desire for artistic integrity and the necessity of playing the game to achieve success. Maria, on the other hand, must reconcile her longing for a meaningful connection with her commitment to her husband and her position within the film industry elite.

The chemistry between Carradine and Vitti is palpable, with Vitti bringing a depth and warmth to her role, effectively portraying a woman caught between duty and desire. Carradine's portrayal of Hal is balanced, creating a character that is simultaneously naive and cunning, passionate about his work but also keenly aware of the realities of the business.

Throughout the film, there are numerous comedic moments and satirical jabs at the film industry. From producers to directors, actors to critics, no one is spared from the film's light-hearted yet insightful critique. The quirks and eccentricities of the characters populating the festival lend an air of authenticity, as anyone familiar with the world of filmmaking will recognize the archetypes portrayed on the screen.

As the story progresses, Hal and Maria must face the consequences of their affair, and the tension builds to a climax. The narrative tests the resilience of personal relationships against the backdrop of professional pressures. It also poses questions about what it truly means to be successful and whether that success is worth the sacrifices it may demand from an individual's personal happiness.

The film not only provides an exploration of a clandestine romance but also offers a commentary on the nature of filmmaking, the pursuit of creative expression, and the often-complicated intersection between art and the business side of moviemaking. It delves into the heady chase for recognition and validation within an industry where art is both celebrated and commodified.

An Almost Perfect Affair is infused with the spirit of the '70s, from the fashion and music to the cinematography and overall tone. Director Michael Ritchie manages to maintain a balance between the lighthearted nature of the romance and the biting satire of the film industry, resulting in a charming and engaging film that resonates with viewers who appreciate both romance and a behind-the-scenes look at the world of cinema.

In summary, An Almost Perfect Affair offers audiences a delightful blend of romance, humor, and a sharp-eyed look at the film industry set against the sparkling backdrop of the Cannes Film Festival. It’s a light-hearted yet insightful examination of love, ambition, and the art of chasing dreams in a world that often places higher value on commercial appeal over artistic integrity.