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Only The Good (Shows) Die Young: TV Cancellations That Killed Us Inside

Kate H.
By Kate H.Follow on Twitter

You may not even know it, but your heart has probably been broken at least once by a television cancellation. It happens stealthily: you’re watching a show, you’re thrilled to be so engaged, and then: WHAM. Where is it? Gone. You can’t find it anywhere. But why? WHY?? Because good shows die fast deaths: it’s a joke I have with my friends  –if I like a show, it will last three seasons, tops. TOPS. What are some examples of great shows that were offed before their time?

 

Freaks & Geeks (and later Undeclared) was a Judd Apatow vehicle with a whole mess of people you know and love today. Seth Rogen, Jason Segel, Samm Levine, James Franco, and more played kids who are just …just different (and as such, totally normal). The humor was off-beat, the jokes were dry, and it just couldn’t last. Undeclared was much of the same. Both were so smart, so sharp, but so warm and full of heart, that it’s a deep pity the shows didn’t stick around longer.

 

Arrested Development is the victim of sheer lunacy for being axed. Granted, its characters were supremely un-relatable –but that was the entire point. That family was so off its rocker, you had to just hang on while they went on a wild ride. It was great! But it was also deliciously complicated. Jokes and references made in Season 1 played into Season 3, wordplay was a constant source of fun for the writers, and despite the fact that the show was utterly brilliant, it has too small a niche for people to understand it. And off it went, to TV heaven.

 

Andy Barker P.I. starred probably one of the most adorable human beings alive. Andy Richter is just the bee’s knees. I love him. But this show was weird. Probably the weirdest on this list. That’s what was so delightful about it –it was just bizarre. Andy plays a guy (Andy!) who gets involved in the P.I. business unwillingly and unwittingly: so off we go to solve crimes! What the hey! And they’re weird crimes with little to do with actual criminal activity. It was sweet, bizarre, and totally unmarketable because it was so out there.

 

Pushing Daisies is like a gaping wound in my heart. It was a show made for me. There were bees, there was pie, it was told like a storybook… it was ludicrous! I loved it. It was probably just too hard for people to follow: if you don’t have a strong sense of the ridiculous, even the premise is tough to chew. Some guy can bring people back from the dead. Also, he makes pies. Also, he solves crimes. So while I sure as heck dug it, the plot moved too fast, the shots felt like they belonged in a music video or as an homage to Moulin Rouge, and it never took off.

 

Veronica Mars kills me. The strongest first season I can think of was followed by an “okay” second season that really lost its footing, then concluded by a decent third that barely managed to rediscover itself. AND WHERE DID IT GO? Television graveyard. The producers were clearly not done with Veronica: they pitched a “Veronica as a grownup” show to the network (it was passed on). Something about modern-day-Nancy-Drew wore out as Veronica went to college, but franklym it oughtn’t have. Veronica was a smart, sassy girl in line with Buffy and Scully, and she should have had more time.

 

So, what happened? Well, as outlined above, these shows were just too “too.” If they weren’t ahead of their time like Freaks & Geeks, they were too intelligent or too off-the-beaten-path for mainstream America to understand and to love. If you think of America as a bell curve (for everything: politics, humor, intellect…), all television programming (and politics, etc…) has to ride in the middle of that bell curve. Generally speaking, the aforementioned programs were too much to one side: too smart, too punchy, too critical.

It’s a shame, a crying shame, but that’s what happens when you aim a little too high: as you lose audiences, you lose sponsors and advertisers, and networks pull the plug. Chuck almost went off the air (it’s a little weird, too: some yahoo somehow has all the governments secrets in his head? But it’s very, very charming and a cute, fun show) because it’s so different (and expensive to make), but Subway came in after fans petitioned and saved the day. So, hey, it is possible to save the TV you love, but it’s hard. Darn hard.

  • Javen

    Firefly should be #1 on this list.

    In regards to some of your thoughts and observations though:

    Firstly in regards to CHUCK: It actually WAS cancelled, and contrary to what the popular spin is, if you research into it, the show was Saved not by Subway listening to the fans,  but rather because when the studio signed a deal with subway, they stupidly signed for a TWO-SEASON product deal.    Resulting in the studio having the option of A: Renewing the show, or b: Breaching Subway’s contract and having to pay a high fee [equal or greater than the cost of re-upping]

    Also with your comments on why some shows are canceled:   Yes it is that a lot of the times, shows are canceled because like you said they are too “too”.   But  that’s not always the case.    These shows overall didn’t lose audiences (and therefore sponsors, etc etc), simply beacuse they were “too smart, too off-beat” etc.    Most of them, started deteriorating.

    Veronica Mars for example: A hell of an amazing Season 1.   Was it off-beat and quirky? (a high school detective, plus all her flashbacks etc), for sure.   But did the fact that it wasn’t “middle of the line” accessible to all american audiences cause it’s death? Nope.        What did?:   Season 2 failed to live up to Season 1. Stories got mediocre, etc.    THAT led to an audience loss.  The studio even gave it another chance, Season 3, which again had the problem of poor stories/weak storylines.   That causes it to lose what little loyal fans it still had, resulting in it’s cancellation.            This show had such a good season 1 omg.    

    Andy Barker, Pi.: Very cute show for sure, but the problem was it wasn’t nearly as funny as things like Arrested Development, or other-similar off-beat quirky shows. Not to mention, there was a huge amount of people who didn’t like the actor and wouldn’t even give the show a chance. Would the show have survived a different fate if it kept the same quirkyness but had a different actor? who knows.

    Pushing Dasies: Also a terrible shame this show got cancled. I still can’t believe it was designed as a spin off of the equally off-beat “Dead Like Me”. Similar situation though, as having just marathoned the entie show, the storries largely continue to drop in quality as the show progresses. So I’d argue it wasn’t the off-beat ness of the show, but rather the weaker stories, faster plot pace, etc.

    There are many more examples, but I just wanted to point out, that overall it is not because a show isnt “mainstream” enough that results in its cancellation. Case in point: The Big Bang Theory, which I myself am not a fan of, is incredibly off-beat and the majority of the humor is so geeky it slips by a large mainstream american audience, yet it is still remarkably successful because the stories keep being fun, so the audience wants to continue the ride. It’s the problem of having a “unique” theme in general,…it’s difficult to keep that level up for multiple seasons of a show.      “Dexter” is another good example of a very off-beat show, that due to great performances and increased story creativity, has enjoyed a long and successful life.

    There’s a million reasons why amazing shows like Arrested Development failed even aside from stories being weaker in Season 3 than Season 1…no huge “celebrity” cast members, low marketing, timeslot, etc.   Shows succeed or die based on if audiences want to continue the ride, and sadly most shows that have been canceled dropped the ball creatively and lost a number of their audiences. (most Veronica Mars fans I know refuse to watch Season 3…